Main Currents in Nineteenth Century Literature - 5. The Romantic School in FranceBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 5. The Romantic School in France
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
Sainte-Beuve was a timid, melancholy child. At the age of twelve, home
influence had developed in him an almost alarming degree of childish
piety; he served as an acolyte at the mass with extraordinary fervour.
The fever of Catholicism was short, but it left its traces, which
at one time in later life showed very plainly; and during all the
earlier years of his youth the lad not only retained his reverence
for Christianity, but dwelt much on religious doubts and theological
questions. This lasted until, as a student, he felt himself at once
drawn to the philosophers of the eighteenth century and to the living
representatives of the sensationalistic philosophy, Tracy, Daunou, and
Lamarck, with whose assistance he soon freed himself from the grasp of
theology. His intellectual position on entering manhood was that of
the pure empiricist; at a later period religious moods and tendencies
reasserted themselves; but these again gave way to empiricism,
which proved to be the final attitude of his mind. At school he had
distinguished himself in history and languages; but, in spite of his
strong literary tendencies, he determined, partly for the sake of his
future, partly to counteract a too purely literary training, to study
medicine. From 1823 to 1827, whilst by no means neglecting literature,
he pursued the usual physiological and anatomical studies with ardour
and interest. He was poor, but never in want; for he was frugal and
extremely industrious.
The young medical student was anything but good-looking. His big round
head, covered with fine and yet rough reddish hair, was almost too
large for his body; and his figure was bad. But in the bright blue
eyes, which seemed now large, now small, and which sometimes dilated
strangely, there shone a thousand questions, smiled a mischievous
wit, and dreamed a curiously ingratiating, half-poetic, half-sensual
longing. As the poor, plain-looking student, his acquaintance with
the fair sex was almost entirely limited to the frail sinners of
the Quartier Latin. He had an ardently sensual, gross temperament,
which demanded the immediate gratification of its desires; but with
the gratification invariably came remorse and a strong feeling of
humiliation. Quite as markedly developed as the sensuality was a
dreamy, poetic imaginativeness, which, tinged as it was with a gentle
melancholy, naturally took the direction of romanticism and mysticism.
He had, perhaps, a little of the ugly man's involuntary jealous dislike
of the men whose good looks capture feminine hearts at once, and yet he
himself had something of their dangerously insinuating quality.
Public-domain text, read in full here on John Shaqi.
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