Main Currents in Nineteenth Century Literature - 5. The Romantic School in FranceBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 5. The Romantic School in France
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
now singly. His admiration of his friends knows no bounds. Some of
the poems at the time of their appearance were ridiculed for their
affectation ("Les rayons jaunes" undoubtedly verges on the ridiculous)
others were considered vulgar. Guizot characterised Joseph Delorme as
"un Werther jacobin et carabin" (Werther as the Jacobin and "medical").
On the whole, however, the book may be said to have had the decided
success which it deserved.
Sainte-Beuve's next collection of poems, _Les Consolations_ (published
in March 1830), his novel _Volupté_ (published in 1834), and the first
two volumes of _Port-Royal_, mark the emotional and somewhat pious
period in the life of their author. _Les Consolations_ is dedicated to
Victor Hugo in terms of hysterical admiration coupled with expressions
of Christian contrition, and Hugo's name occurs frequently in the book;
but it was in reality quite as much an offering to Madame Hugo, who
was the love of Sainte-Beuve's youth, and to whom the first poem and
several others are addressed. Of his relations with her he wrote too
openly in _Le Livre d'Amour_, a collection of poems which obviously
treat of realities, and which, though printed, was never published.[2]
And in the novel _Volupté_, too, we have no difficulty in recognising
its author's relations with Victor Hugo and his household in Amaury's
relations with the eminent politician, Monsieur de Couaën, and his wife.
Sainte-Beuve himself and many of his biographers have hinted that
the works which he wrote during the period of his enthusiasm for
Madame Hugo, all of which have a faint Catholic tinge or varnish,
were directly inspired by that lady, who was a devout Catholic in her
youth, though an ardent freethinker in later life, in the days when she
wrote her husband's life to his dictation. It has been asserted that
Sainte-Beuve, in his lover's ardour, went the length of accustoming
himself to speak in her language and even to share her feelings.
This explanation, however, I refuse to accept, as I feel convinced
that Sainte-Beuve in his old age deceived both himself and others
by speaking as he did of his youthful works. In a letter dated July
1863, he writes to Hortense Allart de Méritens, the authoress (Madame
Saman): "I tried a little Christian mythology in my youth; but it
has evaporated. It was for me the swan of Leda, a means of obtaining
access to the fair and producing tenderness in them. Youth has time
and employs every means." I object to this, to say the least of it,
frivolous manner of explaining away a phenomenon which is plainly
attributable to the natural attraction possessed by Catholicism for
a youthfully pliant and dependent character, an attraction in this
case strengthened by the general tendency of the period, which,
as usually happens, was becoming a fashionable tendency before
disappearing altogether. The period was the period of the revival of
philosophic spiritualism. In 1828 Sainte-Beuve attended the lectures
Public-domain text, read in full here on John Shaqi.
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