Main Currents in Nineteenth Century Literature - 5. The Romantic School in FranceBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 5. The Romantic School in France
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
which Jouffroy, after his dismissal, gave in his own house; and he was
also, like almost all the young men of his day, strongly influenced by
Cousin. The fashionable philosophers converted him temporarily from
sensationalism. Romanticism was still regarded by many of the younger
men in the light in which it was originally regarded by Hugo, namely,
as a reaction against the pagan art and literature of the Classicists;
and one branch of the Romantic School was, from its eager desire for
the poetic revival of medievalism, so closely associated with the young
Catholic party which rallied round Lamennais and founded the newspaper
_L'Avenir_ (to which Sainte-Beuve contributed articles), that it was
not at all surprising that a few drops from the aspergill of the
Neo-Catholics lighted upon the young Romantic writers, and found their
way into their works. The part of _Volupté_ which describes conventual
life, was actually written by Lacordaire. The piety which prevails
throughout _Les Consolations_--and which annoyed many, amongst others
Beyle, a sincere admirer of Sainte-Beuve--and the incense fumes which
permeate the second part of _Volupté_, vividly recall corresponding
phenomena in German Romanticism.
In spite of its diffuseness and heaviness, _Volupté_ is a delicately
profound psychological study. It consists of confessions of the nature
of Rousseau's, but recorded in a style which is richer in imagery, more
saturated with colour, and more delicately shaded than Rousseau's; the
emotionally lyric tone reminds us of Lamartine's _Jocelyn_, a work
which treats the same kind of theme more chastely. Sainte-Beuve's book
presents us with the life-story of a pleasure-seeking, dissipated
youth, interspersed with many a profound, sagacious reflection. It
represents the sensual and the tender impulses of the soul as equally
destructive of the vigour and energy of youth. It treats mainly of
those enervating friendships with young women, especially with young
married women, in cultivating which clever young men often squander so
much time. The word "squander" seems to me to convey Sainte-Beuve's
meaning better than the word "lose"; for he himself reproaches a gifted
writer whose vigorous style is lacking in shades, with having worked
too hard and lived too lonely a life, with having injured himself by
too seldom seeking the society "which is the best of all, and leads one
to lose most time in the pleasantest way, the society of women."
Public-domain text, read in full here on John Shaqi.
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