Main Currents in Nineteenth Century Literature - 5. The Romantic School in FranceBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 5. The Romantic School in France
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
Amaury, the hero of the book, is on intimate terms with three women.
One, who is the wife of his teacher and chief, he loves more than he
ventures to let her understand; the second, to whom he is betrothed,
he gives up for the sake of the first; and yet at the very same time
he allows himself to drift into an intimate friendship with the third,
whom he alternately adores passionately, and pains by his cruel
indifference--a friendship which neither satisfies him, nor saves
him from indulging in the lowest debauchery. Intelligent, ambitious,
and obstinately industrious as Amaury is, his intellectual vigour is
gradually paralysed by all these entanglements, and he at last feels
that there is no hope for him except in submission to the severest
discipline of the Roman Catholic Church. His account of his life as a
young man is given in the form of the confession of an ecclesiastic,
and the unction of parts of it is insufferable; the outbursts of
remorse, the moral and religious admonitions, the prayers and homilies,
which interrupt the flow of the tale, are tiresome; but the reader is
sufficiently compensated for them.
Two things make the book a remarkable one--in the first place, the
perfect understanding which it displays of the development process and
the diseases of the soul, an understanding which speaks of persistent
self-examination, and foreshadows the coming critic; in the second
place, the insight into feminine character, which reveals the feminine
element in Sainte-Beuve's own nature, and prognosticates his unique
success in the critical interpretation of the personalities of notable
women. I append a few specimens of his keen observation and impressive
reflections:--"How ungrateful youth is by nature! It throws away
with a contemptuous gesture everything that has not been given to it
by itself. It will only be bound by ties which it has formed itself,
demands friends of its own choice, for itself alone, being certain
that in its soul are treasures sufficient to buy hearts with, and life
sufficient to fructify them. Hence we see it bestow itself for life on
friends whom it did not know yesterday, and swear eternal devotion to
women who are almost strangers." "How contemptible human friendships
are! How they exclude one another! How they follow one another and
drive one another away like waves! Alas! this house to which you repair
every morning and every evening, which seems like your home and better
than your home, and for which you neglect everything that hitherto has
been sweet to you, this house, you may be quite certain, will some day
lose favour in your eyes; you will avoid it as a fatal place, and if by
chance your business leads you into its neighbourhood, you will take
a long round to avoid seeing it. The cleverer you are, the stronger
will be the feeling." Every one of a truthful disposition who has been
under the painful necessity of concealing his or her real feeling, will
Public-domain text, read in full here on John Shaqi.
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