Main Currents in Nineteenth Century Literature - 6. Young GermanyBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 6. Young Germany
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
Towards the end of 1820 Heine left Bonn for Göttingen, with the good
intention of applying himself diligently to the study of law at the
university there. But, as he tells us very plainly in the _Harzreise_,
the place was distasteful to him, and in the course of a few months,
moreover, on account of some trifling quarrel with another student,
he was rusticated. This led to his going to Berlin in 1821. There,
in Varnhagen's house, the intellectual centre of the day, where
Rahel gathered around her the aristocracy of culture, talent, and
birth, he soon made acquaintance with the élite of the best society
of the capital. At night, in Lutter and Wegener's restaurant in the
Behrenstrasse (still in existence), he met the leading lights and
genial Bohemians of the day, among them men like E. T. W. Hoffmann and
Grabbe. And here, after several fruitless attempts, he succeeded in
finding a publisher, who was willing to take the risk of bringing out
his first collection of poems and to give him forty copies of the book
by way of payment. It appeared in December, 1821, made his name known,
almost famous, and at once called forth both imitations and parodies.
At the university Heine attended the lectures of the first scholars
of the day--Hegel, to whom he was ardently devoted; Bopp, the great
authority on Sanscrit; Wolf, the classical philologist; and Eduard
Gans, the great lawyer. He entered with youthful zeal into the schemes
of a circle of men whose object it was to bring about a reform of
Judaism, and who were attempting to initiate the Jews into the ideas
of European culture. With an equal amount of youthful bitterness, he
attacked in _Almansor_, in foreign garb, the renegade Jews who deserted
the common cause; and also, though indirectly, Christianity, which
he regarded as a hostile power. _Almansor_ was published, along with
Heine's other youthful work, _William Ratcliff_, in 1823; it was acted,
but had no success, because of the race hatred felt for its author.[1]
Public-domain text, read in full here on John Shaqi.
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