Main Currents in Nineteenth Century Literature - 6. Young GermanyBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 6. Young Germany
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
The life Heine led in Berlin was not compatible with any proper
progress in his studies. It was but a continuation of the dissipated
life to which he had accustomed himself in Hamburg. In 1823 he
determined to turn over a new leaf, and consequently left Berlin, went
first to his parents at Lüneburg, thence to Hamburg, and from Hamburg
returned to Göttingen, where in 1825 he took his degree of Doctor of
Law. Immediately after this he was baptized. He did not change his
religion from conviction of the truth of Christianity; on the contrary,
his antipathy to it was strong, and he was thoroughly ashamed of the
step which he took simply with the aim of extricating himself from the
humiliating and galling position of dependence on his uncle; income,
office, or profession being attainable on no other condition. His frame
of mind at this time is depicted in that overrated fragment, _Der Rabbi
von Bacharach_, which, in spite of some spirited and artistic passages,
really proves that Heine was incapable of writing a historical novel.
At the end of this work, the author, in the disguise of a fictitious
character, confesses the shame he felt at going over to a religion
which to him was the enemy's camp.
In the correspondence between Varnhagen and Rahel, we find occasional
allusions to Heine, which give us a good idea of him as he was in those
days. Curiously enough, the first time Varnhagen mentions "our little
Heine," he quotes an exhortation of Rahel's to the young man, which is
very remarkable, because it shows with what acute perception she had
at once discovered the very author with whom he had, indeed, something
in common, but whom it would have been fatal to him, both personally
and in a literary sense, to resemble. The exhortation is: "You must not
become a Brentano. I cannot stand that!" At another time she writes
jestingly: "Heine must and shall be real, even if he has to be thrashed
into it.
'Be real, O man!'"
And Varnhagen, too, understood him well. How acute is the following
remark in a letter to Rahel, written six years later: "And now, in
addition to all the other wise and clever people who entertain you, you
have Heine with you, the original, the far-travelled, the fresh Heine!
Fresh in this case does not necessarily mean fresh from the sea; for
salt herring, too, and that because they _are_ salted, may be called
fresh." The same idea recurs in an observation he makes on Heine at the
age of thirty: "I hope you will see him often, and that he will try to
benefit by his intercourse with you. He requires to be preserved in a
good spiritual atmosphere, for there is something about him that spoils
easily."[2]
Rahel and Varnhagen were the first to proclaim Heine's talent. The
earliest laudatory notice of his poems was written by his fashionable
diplomatic patron. Yet it is plain that they detected and deplored the
weaknesses in his character, which might become dangerous, even fatal,
to his great poetic gifts.
Public-domain text, read in full here on John Shaqi.
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