Main Currents in Nineteenth Century Literature - 6. Young GermanyBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 6. Young Germany
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
And yet he is great. He rules, and he always carries his point. He
not only reigns over his own large estate like the stern, patriarchal
kings of old, upholding good old customs, keeping his eye on every
one and everything, admonishing in proverbs, rewarding with the
honour of retention in his service; but, unquestionably the superior
of all his neighbours, he has induced them to regard him as their
leader, and has quietly, without disturbance or revolt of any kind,
led them to free themselves from the supremacy of state authorities
and to rule themselves under him as a sort of judge of the old Jewish
type. In his district both law-suits and criminal cases are unknown;
no one goes to law with his neighbour; no one is ever accused of a
crime; one might take it to be an oasis of innocence and peace. It
is far from being that; but since medieval times the secret courts
of justice (_Vehmgerichte_) have existed here, and the peasants,
under the influence of this great peasant, have agreed to uphold
these, and thus privately provide for the maintenance of equity and
justice among themselves. They assemble secretly at night in a lonely
place and settle their own disputes. The sentences are accepted and
executed without dispute. The only punishment awarded is a sort of
excommunication of the malefactor, which is as severe a chastisement as
any that could be imposed by a state judge. A peasant whom all avoid,
whom no one will help, with whom no one will have any dealings, suffers
from almost as strict isolation as the man confined in a prison cell.
As a symbol of his power and dignity the old "Hofschulze" treasures a
sword, which he believes to be what tradition calls it, the sword of
Charlemagne, and which he regards as his most precious possession. His
hand is on its hilt when he pronounces judgment. This sword, which was
dug up somewhere in the neighbourhood, is really a perfectly common
weapon, possibly two hundred years old; and we have an admirable
description of how the old farmer is at times tormented by doubts of
its antiquity, doubts which, with his peasant shrewdness, he tries to
dispose of once for all. He tempts an antiquarian in the neighbourhood
with the sight of a beautiful amphora, and then obliges him to give in
payment for it a written certification that the sword had undoubtedly
belonged to Charlemagne.
The tragic catastrophe of the story is brought about in this way. A
man who is now a vagrant had, in consequence of an intrigue with the
daughter of the "Hofschulze," been attacked by her brother and had
killed him in self-defence. This vagabond, to revenge himself on the
"Hofschulze" for the sentence of excommunication which has ruined his
life, steals the sword and hides it where no one can find it. The loss
breaks the old man's spirit. All the mysteries of the secret court of
justice are divulged, and he is obliged to stand his trial.
Public-domain text, read in full here on John Shaqi.
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