Main Currents in Nineteenth Century Literature - 6. Young GermanyBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 6. Young Germany
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
"And," he concludes, "if other people would but do the same, if the
townsmen, the merchants, the noblemen, the scholars, would but manage
their own affairs, things would be better than they are. Men would no
longer be like stupid children, for ever crying for father and mother,
but every man would be like a prince in his own house and among his
equals. And the king himself would then be a far mightier monarch, a
ruler like no other, for he would rule over hundreds of thousands of
princes,"
We have the feeling at the end of the story that, now the secret is
divulged and the sword stolen, the days of popular justice are at an
end. But the author gives us his own opinion on this subject by the
mouth of the wise pastor, who declares that the independence which
is the watch-word of this peasant and his friends is a reality which
cannot be done away with by being divulged, that the idea which has
united them, the idea that a man is dependent on his neighbours, not
on strangers who stand in a perfectly artificial relation to him, does
not require the support of the tribunal under the old lime-tree. In the
peasant farmer himself, the mighty old yeoman, he sees the true sword
of Charlemagne, which no thief can steal, the true backbone of the
country.
Observe that this is written by an author who was a magistrate and the
son of a Prussian government official.
A marked contrast to the strong, stern figure of the old peasant, but
drawn with as sure a hand, is Lisbeth, the fair-haired, country girl
who is the heroine of the tale. Young Count Oswald, who wanders about
the country shooting, falls in love with her, and it is the eventful
love-story of these two young people which forms the chief attraction
of the book. Immermann had in his writings long shown himself to be a
firm believer in the unbounded power of love over humanity, but here
he tells the story of young love as he had never done before. We have
the beat and glow of two innocent young hearts. The youth and maiden
meet, full of budding, swelling, healthy presentiments and hopes. No
renunciation or disappointment has as yet cooled one drop of their warm
blood. The distance between them is bridged over in an original manner.
The young sportsman, who has inherited from his parents a taste for
shooting, along with absolute incapacity to hit anything, for once in
his life succeeds in setting his mark on a living creature; he lodges a
whole charge of small shot in the girl's shoulder. The shame and regret
he feels give place in time to ardent love. When she has recovered and
the two have discovered that they love each other, they go together one
day into the wood.
Public-domain text, read in full here on John Shaqi.
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