Main Currents in Nineteenth Century Literature - 6. Young GermanyBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 6. Young Germany
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
The most able of them all was undoubtedly Karl Gutzkow, born in
Berlin in 1811, a man of a tireless, energetic, inquiring spirit,
absorbed in the thousand problems of modern life, a cross between an
analytical critic and a poet, but a man to whom nothing came of itself
and who achieved nothing with ease. His personality had no charm, his
youth no freshness, his prose no rhythm. But he was bold, inventive,
intelligent, and enterprising. He had the gift of pathos, but not the
lyric gift; his style was effective, but unmelodious. His mind was
specially open to ideas, to all the thoughts and spiritual movements
that were abroad at that day. By nature he belonged to the ungainly,
but his literary enthusiasm was so genuine, his ambition so great, and
his will so strong, that he gradually became an intellectual centre and
diffused his influence in many directions. There was a time, about the
year 1840, when a great part of what was best in German literature took
its tone from him and his adherents.
We saw how it was the Revolution of July that awakened in him a
desire to write. The following year, the great year of dismissals,
imprisonments, and banishments in Prussia, put the pen into his hand.
It was a time when every word underwent the strictest censorship; even
the advertisements in the _Intelligenzblatt_ were carefully examined,
in case they might contain some hidden political meaning.
Gutzkow began by publishing a newspaper, _Forum der Journallitteratur_.
He had been brought up on the Hegelian idea of the progress of the
world towards ever greater liberty. As Gottschall has expressed it:
"There swam before his eyes a constant succession of political sunrises
and world-liberating theories." His newspaper reached a circulation of
seventy copies, and was then given up.
Wolfgang Menzel, at that time the acknowledged master of German
criticism, had repeatedly invited Gutzkow to come to Stuttgart and
assist him in the editorship of his _Litteraturblatt_, as he himself,
having been elected a member of the Würtemberg Parliament, was no
longer able to conduct it alone.
Public-domain text, read in full here on John Shaqi.
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