Main Currents in Nineteenth Century Literature - 6. Young GermanyBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 6. Young Germany
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
In spite of his hatred of Goethe, nay, partly because of it, Menzel,
at this period of his career, was revered by the youth of Germany much
as Katkóf and Ploug in their first periods were revered in Russia and
Denmark. He, above all others, was to them the man of the day, the
friend of liberty. One of Gutzkow's aims in his newspaper had been to
defend Menzel, the man after his own heart, against the attacks of
his enemies--and Menzel had many enemies, for as a reviewer he was
disputatious, quarrelsome, and abusive. But he was, or seemed to be,
a man of sincere convictions. He urged the necessity for a profounder
conception of patriotism and of religion than was then in vogue, but
at the same time he was an ardent Liberal in politics, and as such an
admirer of Börne and Heine, who looked upon him as a trusty companion
in arms; in Parliament he championed all progressive measures, amongst
others the emancipation of the Jews.
Gutzkow, not yet much over twenty, short, slight, fair, and pale-faced,
entered the presence of his lord and master, who was thirteen years
older than himself, with a bashful reverence which he has compared to
that of the student who appears before Mephistopheles-Faust in the
first part of Goethe's drama. He saw a man with broad shoulders, a well
developed chest, and dark hair, whose clean-shaven face reminded him
of a Romish priest's. Round the mouth, with its ugly yellow teeth, a
satiric smile played; the expression of the short-sighted eyes behind
the spectacles was half defiant, half dignified. The man's temper
seemed to be violent, his will inflexible. An expression of faun-like
sensuality would come over his features when he talked of some erotic
book, and yet Goethe's worldliness was as hateful to him as his
indifference to politics, and he uncritically bowed the knee to men and
phenomena that to his mind represented the mysterious. His character
was a genuine priestly blend of irony and mysticism. He loved Voltaire,
and enthusiastically admired Görres.
Public-domain text, read in full here on John Shaqi.
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