Main Currents in Nineteenth Century Literature - 6. Young GermanyBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 6. Young Germany
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
In the summer of 1830 he was at the watering-place of Soden, near
Frankfort-on-Main, recovering from a long bout of rheumatic fever and
repeated attacks of hemorrhage. His _Journal_ shows that his political
hopes were almost extinguished, his desires stifled. A soul like his,
whose aspiration after liberty was a passion, whose hunger and thirst
after righteousness consumed his vital force, was unable permanently to
bear the heavy weight of political reaction.
He was now forty-four, and since the time of the War of Liberation,
that is to say as youth and grown man, had had experience of nothing
but the triumphs of baseness and its persecution of all rectitude, all
freedom of opinion. He had never been able to lift his eyes from the
sheet of paper he was writing on, without seeing pallid fear of every
great passion, of ideals, of youth itself, enthroned in high places,
side by side with the animal instinct of self-preservation and animal
self-indulgence--the Metternich and Gentz principle. He had given up
none of the convictions of his youth and manhood, but the world to
him was draped in mourning weeds. He had the feeling in Germany of
sitting at the bottom of the sea, a diving-bell providing him with
just enough air to keep him from suffocation. In Paris he had breathed
fresh air. There the light of the sun, human voices, the sounds of life
had enraptured him. Now, down among the fishes, he shivered with cold.
He suffered the most terrible ennui. The stillness made him ill; the
narrowness of everything galled him to the quick.
He describes himself as one of those natures which cannot in the long
run endure the "solo music" of existence. "Symphonies of Beethoven or
thunder-storms" were a necessity to him. He was one of the people who
feel themselves out of place in a box at the theatre, who sit from
choice in the pit, in the middle of the crowd.
Public-domain text, read in full here on John Shaqi.
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