Main Currents in Nineteenth Century Literature - 6. Young GermanyBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 6. Young Germany
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
There is more of philological and technical than of purely poetical
interest in such verse as this. But Rückert _was_ the philologist
as poet. His predominating gift is the gift of language in its two
developments--the capacity to learn languages and penetrate into
their spirit, and the capacity, due to his profound penetration into
the mysteries of his own language, to reproduce in German the best
poetry written in other languages. He delighted in creating linguistic
difficulties for himself to overcome. At one time we have him writing
in the old German style that corresponded to his Albrecht Dürer curls,
at another as a young officer of the time of Napoleon; now he is a
Bedouin telling us Hariri's tales with marvellous skill, and again a
Persian weaving his rhyme in the form of Ghazels or recreating the epic
of Rustum and Sohrab. He appears before us as a Turk in caftan and
turban, as a Chinaman with slippers and pig-tail; but most frequently
and with most pleasure he sits as a Brahmin on the banks of the sacred
Ganges, proclaiming in sonorous verse the thousand golden rules of
a happy philosophy of life. It is said of Théophile Gautier that he
was, intellectually speaking, equally at home in ancient Egypt, in
the Russia of to-day, in Constantinople, and in Seville. This is only
true to the extent that he was well acquainted with the climatic
characteristics and the monuments of many foreign lands. It may be
said with much profounder truth of Rückert, who comprehended the human
beings through their literatures, understood their language and thought
in their spirit. He never saw the foreign lands with his bodily eyes,
therefore he has neither Gautier's colour, nor his power of graphic
presentation; he views them all calmly, reflectively, with the eye of
the mind, and gives us the mental pictures in an astonishing variety
of metrical forms. Whoever desires to make acquaintance with excellent
specimens of his art should read _Hariri's Makamehs_ (more particularly
the division entitled _Jungfrau und Junge Frau_) or _Weisheit der
Bramanen_.
These works had gained Rückert a wide circle of readers and admirers
in Berlin; but the town, with its restlessness, was antipathetic to
him. He was to lecture on Oriental languages at the university, and his
first lectures were attended by a curious crowd; but this crowd soon
dwindled down to an audience of two or three, and Rückert gave up going
to the university. He sat in his room in the third flat of a house in
the Behrenstrasse and wrote poems in which he expressed his detestation
of Berlin and its agitated, modern life. Even the Berlin of the royal
romanticist was too modern for these celebrities of past days.
Public-domain text, read in full here on John Shaqi.
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