Main Currents in Nineteenth Century Literature - 6. Young GermanyBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 6. Young Germany
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
In 1802, after one or two years' residence with a professor at Giessen,
young Börne was sent to Berlin, his father being obliged to give in
to his desire to study, although on account of his religion this
could only lead to his becoming a doctor, a profession for which as
yet he showed no turn whatever. He boarded in the house of the famous
physician and Kantian, Marcus Herz, whose public lectures on philosophy
had drawn such crowded and influential audiences, that the appointment
of Professor of Philosophy was conferred on him before any University
of Berlin existed. Herz was an eminent physician, a clear thinker, and
a good orator; a friend of Lessing, whose poetry he valued as highly as
his critical writings. Hence the mysticism of the Romantic school, more
especially Hardenberg's, was to him both meaningless and obnoxious.
As he died in 1803, his influence on young Börne's development was
inconsiderable. All the more powerful was the impression made on the
youth by Herz's famous wife, Henriette, _née_ Lemos. She was seventeen
years younger than her husband, to whom she was betrothed, without
her consent being asked, at the age of twelve. Remarkably beautiful,
mistress of many languages, admired by numbers of the most eminent
scientific men and authors of the day, she made her house one of the
most frequented, most talked of, most looked up to in Berlin. She was
thirty-eight, Börne sixteen, but this naturally did not prevent the
young man from at once falling violently, though hopelessly, in love
with the most beautiful, most distinguished woman it had been his lot
to meet.
The charming Henriette presented in outward appearance, as well as in
character, a marked contrast to her little, clever, ugly husband; she
was a faultless beauty, tall and stately as Queen Louise, with the
small head we see on Greek statues. She went by the name of the Tragic
Muse or the Beautiful Circassian. She was worshipped by Wilhelm von
Humboldt, by Mirabeau, by Schleiermacher, and after her husband's death
she was surrounded by a bevy of men of position, who all wooed the fair
widow in vain. She refused all offers, in spite of her poverty rejected
even the hand of the richest noblemen in Germany, and took the place of
governess to the future Empress of Russia. She was as severely virtuous
as she was intoxicatingly beautiful. She was on terms of intimacy with
more than one man, but always within the strict bounds of friendship.
Public-domain text, read in full here on John Shaqi.
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