Main Currents in Nineteenth Century Literature - 6. Young GermanyBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 6. Young Germany
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
It seems most probable that Heinrich Heine was born on the 13th of
December 1797. His father, Samson Heine of Hanover, as a young man
took part in a campaign in Flanders and Brabant, in the capacity of
quartermaster (with the rank of an officer) to the Duke of Cumberland,
but after his marriage with Peira (Betty) von Geldern, settled down
as a merchant in Düsseldorf. He was a handsome, placid, grave man,
without much ability, even as a merchant. He had no taste for art or
poetry, but he had a childish love of a fine uniform, and aristocratic
tastes for gambling, actresses, dogs, and horses. He is said to have
taken twelve horses with him when he removed to Düsseldorf. The poet's
mother was a woman of keen intelligence and deep feeling, and was very
musical. She had received a good education, spoke French and English as
fluently as German, was a disciple of Rousseau, whose _Émile_ she had
studied, and an admirer of Goethe. She early rebelled against prejudice
and conventionality, and differed from her husband, who reverenced
Napoleon, in being an ardent patriot. Education was her hobby, and she
taught her children with great care and patience. Both parents were
free-thinkers in the matter of religion--the father indifferent, the
mother a deist; but they brought up their children in the observance of
the old Jewish ritual.
After a short time at a Jewish school for young children, where, it may
be, the foundation was laid for that knowledge of the Bible which is
so conspicuous in his writings, Heinrich was placed in an educational
establishment carried on in an old Franciscan monastery by French
ecclesiastics, principally Jesuits, who were at the same time educated
men of the world. He had had a happy childhood in his home, and at
school, too, he found friends and protectors, who took his part when
his religion or his mocking tongue threatened to get him into trouble.
The earliest noticeable peculiarity in the future poet was a
nervousness, which steadily grew upon him, and which showed itself in
the disagreeable and even painful effect produced in him by any kind of
noise. Piano-playing and loud talk, at times even his sister's sweet,
melodious voice, affected him as screaming affects ordinary nerves. And
his sense of smell was as acute as his hearing. From a child he, like
Goethe, loathed tobacco smoke. He had no taste for music, and never
learned to dance. At fifteen he began to write good verse.
Public-domain text, read in full here on John Shaqi.
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