Main Currents in Nineteenth Century Literature - 6. Young GermanyBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 6. Young Germany
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
The Rhineland, with its joyousness, but also with its superstition,
tradition, and legend; the Catholic worship of these parts, with its
medieval buildings and ceremonies and pilgrimages, over which the
Romantic poetry of the day cast a transfiguring halo; the impressions
produced by Jewish descent, by the poetry of the Bible, and by the
craving for liberty, and the self-contempt engendered in the Jews
by oppression; the enthusiasm for the French and for Napoleon, and
afterwards, following quickly upon this, the patriotic awakening of
Germany, which led all the pupils in the highest class of the school,
Heine among them, to attempt (most of them in vain) to enlist as
volunteers in the War of Liberation--all these outward conditions and
psychological experiences formed and set their imprint on the boy's
mind. The great humorists, such as Cervantes and Swift, were his chosen
reading; _Don Quixote_ and _Gulliver's Travels_ his favourite books.
In his sixteenth year he had a first romantic attachment to a girl
of his own age, Josepha by name, the daughter of an executioner, who
lived with her aunt, the widow of another executioner, a woman avoided
and feared by all. Heine has told us that the young girl was strangely
pale, that her movements were rhythmic and dignified, that she had
finely cut features, large, dark eyes, and blood-red hair. She knew and
taught him many ballads, was, he himself tells us, the first to awaken
his taste for popular poetry, and altogether, what with her radiant
beauty and the atmosphere of weirdness and horror that surrounded her,
exercised no small influence on the budding poet. In Heine's first
poems we observe a tendency towards thoughts of death and the grave,
which seems to have been one result of the tender attachment of the two
children. In No. 6 of the _Dream Pictures_, the eternal damnation which
is the price that must be paid for the possession of the beautiful
woman who appears in the dream, seems to symbolise the dishonour which
clung to the executioner's whole race, and acted like a curse on all
who dared to connect themselves with it.
Public-domain text, read in full here on John Shaqi.
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