Main Street: (From: "The Snow Image and Other Twice-Told Tales")Hawthorne, Nathaniel
General
Main Street: (From: "The Snow Image and Other Twice-Told Tales")
Hawthorne, Nathaniel
Historical fiction, American; New England -- Social life and customs -- Fiction; Short stories
You perceive, at a glance, that this is the ancient and primitive
wood,—the ever-youthful and venerably old,—verdant with new twigs, yet
hoary, as it were, with the snowfall of innumerable years, that have
accumulated upon its intermingled branches. The white man’s axe has
never smitten a single tree; his footstep has never crumpled a single
one of the withered leaves, which all the autumns since the flood have
been harvesting beneath. Yet, see! along through the vista of impending
boughs, there is already a faintly traced path, running nearly east and
west, as if a prophecy or foreboding of the future street had stolen
into the heart of the solemn old wood. Onward goes this hardly
perceptible track, now ascending over a natural swell of land, now
subsiding gently into a hollow; traversed here by a little streamlet,
which glitters like a snake through the gleam of sunshine, and quickly
hides itself among the underbrush, in its quest for the neighboring
cove; and impeded there by the massy corpse of a giant of the forest,
which had lived out its incalculable term of life, and been overthrown
by mere old age, and lies buried in the new vegetation that is born of
its decay. What footsteps can have worn this half-seen path? Hark! Do
we not hear them now rustling softly over the leaves? We discern an
Indian woman,—a majestic and queenly woman, or else her spectral image
does not represent her truly,—for this is the great Squaw Sachem, whose
rule, with that of her sons, extends from Mystic to Agawam. That red
chief, who stalks by her side, is Wappacowet, her second husband, the
priest and magician, whose incantations shall hereafter affright the
pale-faced settlers with grisly phantoms, dancing and shrieking in the
woods, at midnight. But greater would be the affright of the Indian
necromancer, if, mirrored in the pool of water at his feet, he could
catch a prophetic glimpse of the noonday marvels which the white man is
destined to achieve; if he could see, as in a dream, the stone front of
the stately hall, which will cast its shadow over this very spot; if he
could be aware that the future edifice will contain a noble Museum,
where, among countless curiosities of earth and sea, a few Indian
arrow-heads shall be treasured up as memorials of a vanished race!
Public-domain text, read in full here on John Shaqi.
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