MaiolicaFortnum, C. Drury E. (Charles Drury Edward)
History
Maiolica
Fortnum, C. Drury E. (Charles Drury Edward)
Majolica
When first recognized as a distinct family these wares were found to be
difficult of classification, from the entire absence of dates or names
of manufactories. Labarte and others considered the copper-lustred
pieces to be the earlier, but Mr. Robinson, with his usual acuteness,
saw in the ornamentation of various examples reasons for reversing this
arrangement, and suggested one which subsequent observation has only
tended to confirm. He placed those pieces having a decoration in a paler
lustre with interlacings and other ornaments in manganese and blue,
coats of arms, &c., in the earlier period; those having the ornament in
the paler lustre only, without colour, of nearly equal date, as also
some of the darker coppery examples with shields of arms; and of a later
period those so glaring in copper-coloured lustre as to be more painful
than pleasing to the eye.
M. Davillier (to whose researches into the history of these wares we are
greatly indebted) considers that in all probability MALAGA was the
earliest site of the manufacture, and argues that its maritime situation
and trade with the east and its proximity to Granada would warrant that
opinion, which is strengthened by the earliest documentary evidence yet
brought to light. One Ibn-Batoutah a native of Tangier, writing in 1350
after journeying through the east, states that “at Malaga, the beautiful
gilt pottery or porcelain is made, which is exported to the most distant
countries.” He makes no mention of a fabrique at Granada in describing
that city, and we may therefore reasonably conclude that Malaga was the
centre of this industry in the Moorish kingdom, and if so there is great
probability that the celebrated Alhambra vase was made there. From the
style of its ornamentation, the form of the characters in the
inscriptions, and other inferences, the date of this piece may be fairly
assigned to the middle of the 14th century, which would be about the
same period as that traveller’s visit to the city. It has nevertheless
been ascribed by others to an earlier time, about 1320. This vase is so
generally and well known that we need only allude to its characteristic
form and richly decorated surface. It is said to have been found in the
16th century under the pavement of the Alhambra together with several
others, all of which were filled with gold; a tradition which may,
perhaps, have some foundation in fact.
The Alhambra vase was copied at Sèvres in 1842, and since by the Messrs.
Deck in faience, of the original size after a cast and photographs
procured by M. Davillier. This last is now in the South Kensington
museum.
Public-domain text, read in full here on John Shaqi.
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