French fiction -- Translations into English; Historical fiction
The history of Maitre Cornelius Hoogworst will fully explain the
security which the silversmith inspired in the Comte de Saint-Vallier,
the terror of the countess, and the hesitation that now took possession
of the lover. But, in order to make the readers of this nineteenth
century understand how such commonplace events could be turned into
anything supernatural, and to make them share the alarms of that olden
time, it is necessary to interrupt the course of this narrative and cast
a rapid glance on the preceding life and adventures of Maitre Cornelius.
CHAPTER II. THE TORCONNIER
Cornelius Hoogworst, one of the richest merchants in Ghent, having drawn
upon himself the enmity of Charles, Duke of Burgundy, found refuge
and protection at the court of Louis XI. The king was conscious of the
advantages he could gain from a man connected with all the principal
commercial houses of Flanders, Venice, and the Levant; he naturalized,
ennobled, and flattered Maitre Cornelius; all of which was rarely done
by Louis XI. The monarch pleased the Fleming as much as the Fleming
pleased the monarch. Wily, distrustful, and miserly; equally politic,
equally learned; superior, both of them, to their epoch; understanding
each other marvellously; they discarded and resumed with equal facility,
the one his conscience, the other his religion; they loved the same
Virgin, one by conviction, the other by policy; in short, if we may
believe the jealous tales of Olivier de Daim and Tristan, the king went
to the house of the Fleming for those diversions with which King
Louis XI. diverted himself. History has taken care to transmit to our
knowledge the licentious tastes of a monarch who was not averse to
debauchery. The old Fleming found, no doubt, both pleasure and profit in
lending himself to the capricious pleasures of his royal client.
Cornelius had now lived nine years in the city of Tours. During those
years extraordinary events had happened in his house, which had made
him the object of general execration. On his first arrival, he had spent
considerable sums in order to put the treasures he brought with him in
safety. The strange inventions made for him secretly by the locksmiths
of the town, the curious precautions taken in bringing those locksmiths
to his house in a way to compel their silence, were long the subject
of countless tales which enlivened the evening gatherings of the city.
These singular artifices on the part of the old man made every
one suppose him the possessor of Oriental riches. Consequently the
_narrators_ of that region--the home of the tale in France--built rooms
full of gold and precious tones in the Fleming’s house, not omitting to
attribute all this fabulous wealth to compacts with Magic.
Public-domain text, read in full here on John Shaqi.
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