French fiction -- Translations into English; Historical fiction
Following the amorous jurisprudence of the period, Marie de
Saint-Vallier granted to her lover all the superficial rights of the
tender passion. She willingly allowed him to kiss her foot, her robe,
her hands, her throat; she avowed her love, she accepted the devotion
and life of her lover; she permitted him to die for her; she yielded to
an intoxication which the sternness of her semi-chastity increased; but
farther than that she would not go; and she made her deliverance the
price of the highest rewards of his love. In those days, in order to
dissolve a marriage it was necessary to go to Rome; to obtain the help
of certain cardinals, and to appear before the sovereign pontiff
in person armed with the approval of the king. Marie was firm in
maintaining her liberty to love, that she might sacrifice it to
him later. Nearly every woman in those days had sufficient power to
establish her empire over the heart of a man in a way to make that
passion the history of his whole life, the spring and principle of his
highest resolutions. Women were a power in France; they were so many
sovereigns; they had forms of noble pride; their lovers belonged to them
far more than they gave themselves to their lovers; often their love
cost blood, and to be their lover it was necessary to incur great
dangers. But the Marie of his dream made small defence against the young
seigneur’s ardent entreaties. Which of the two was the reality? Did the
false apprentice in his dream see the true woman? Had he seen in the
hotel de Poitiers a lady masked in virtue? The question is difficult to
decide; and the honor of women demands that it be left, as it were, in
litigation.
At the moment when the Marie of the dream may have been about to forget
her high dignity as mistress, the lover felt himself seized by an iron
hand, and the sour voice of the grand provost said to him:--
“Come, midnight Christian, who seeks God on the roofs, wake up!”
The young man saw the black face of Tristan l’Hermite above him, and
recognized his sardonic smile; then, on the steps of the corkscrew
staircase, he saw Cornelius, his sister, and behind them the provost
guard. At that sight, and observing the diabolical faces expressing
either hatred or curiosity of persons whose business it was to hang
others, the so-called Philippe Goulenoire sat up on his pallet and
rubbed his eyes.
“Mort-Dieu!” he cried, seizing his dagger, which was under the pillow.
“Now is the time to play our knives.”
“Ho, ho!” cried Tristan, “that’s the speech of a noble. Methinks I see
Georges d’Estouteville, the nephew of the grand master of the archers.”
Hearing his real name uttered by Tristan, young d’Estouteville thought
less of himself than of the dangers his recognition would bring upon his
unfortunate mistress. To avert suspicion he cried out:--
“Ventre-Mahom! help, help to me, comrades!”
Public-domain text, read in full here on John Shaqi.
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