Dutch fiction -- Translations into English; Kings and rulers -- Fiction; Princes -- Fiction
Possibly Othomar behaves as he does because of the conversations, which
all focus themselves about the duchess and concern the gossip of the
Imperial; the inundations are hardly mentioned, hardly either the state
of siege in the capital; only a single word now and again recalls them.
But for the greater part all this seems to be forgotten here, in these
delightful surroundings, at this excellent dinner, under the froth of
the soft gold lycilian from the duke's private vineyard. This lycilian
is celebrated and they also celebrate it now: even the crown-prince
touches glasses with the duchess with a courteous word or two, which he
utters very ordinarily, but which they seem to think a most witty
compliment, for they all laugh with flattering approbation, with glances
of intelligence; and the duchess herself no longer thinks him so
insufferable, but beams upon him with her full and radiant laugh. But
what has he said? He is astounded at himself and at their laughter. He
intended nothing but a commonplace; and....
But he remembers: it is always like that; and he now understands. And he
thinks them feeble and turns to Ducardi and Von Fest; he forces the
conversation and suddenly begins to talk volubly about the condition of
the town of Vaza, which also has suffered greatly. Then about Altara. He
gives the duchess a long description of the bursting of the Therezia
Dyke. The duchess thinks him a queer boy; for an instant she fancies
that he is posing; then she decides that for some reason or other he is
a little shy; then she thinks that he has fine, soft eyes, looking up
like that under his eyelids, and that he has a pleasant way of telling
things. She turns right round to him, forgets the officers around her,
asks questions and, with her elbows on the table and a goblet of
lycilian in her hand, she listens attentively, hangs on the young
imperial lips and feels an emotion. This emotion comes because he is so
young and august and has those eyes and that voice. She is attracted by
his hands, with their broad, delicate shape, as of an old strength of
race that is wearing out; she notices that he looks now and then at his
ring. And, becoming serious, she talks of the dreadful times, of all
those thousands of poor people without a roof over their heads, without
anything.... This is, however, only the second moment that she has
thought of those thousands; the first was that short half-hour when the
duke's chaplain was asking her for money and how she wished it
bestowed.... She remembers that, at the time of this conversation with
the chaplain, a cutter from Worth's was waiting for her to try on the
very dress which she is now wearing and she thinks that life's accidents
are really most interesting. She knows, in her inner consciousness, that
this philosophy is as the froth of champagne and she herself laughs at
it. Then she again listens attentively to Othomar, who is still telling
of the nocturnal watch in St. Therezia's Church. The officers have grown
Public-domain text, read in full here on John Shaqi.
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