Children of the rich -- Drama; Crime -- Drama; Didactic drama; Fathers and daughters -- Drama; Salvation Army -- Drama
BILL [seizing her by the hair so violently that she also screams,
and tearing her away from the old woman]. You Gawd forgive me
again and I'll Gawd forgive you one on the jaw that'll stop you
prayin for a week. [Holding her and turning fiercely on Price].
Av you anything to say agen it? Eh?
PRICE [intimidated]. No, matey: she ain't anything to do with me.
BILL. Good job for you! I'd put two meals into you and fight you
with one finger after, you starved cur. [To Jenny] Now are you
goin to fetch out Mog Habbijam; or am I to knock your face off
you and fetch her myself?
JENNY [writhing in his grasp] Oh please someone go in and tell
Major Barbara--[she screams again as he wrenches her head down;
and Price and Rummy, flee into the shelter].
BILL. You want to go in and tell your Major of me, do you?
JENNY. Oh please don't drag my hair. Let me go.
BILL. Do you or don't you? [She stifles a scream]. Yes or no.
JENNY. God give me strength--
BILL [striking her with his fist in the face] Go and show her
that, and tell her if she wants one like it to come and interfere
with me. [Jenny, crying with pain, goes into the shed. He goes to
the form and addresses the old man]. Here: finish your mess; and
get out o my way.
SHIRLEY [springing up and facing him fiercely, with the mug in
his hand] You take a liberty with me, and I'll smash you over the
face with the mug and cut your eye out. Ain't you satisfied--young
whelps like you--with takin the bread out o the mouths of your
elders that have brought you up and slaved for you, but you
must come shovin and cheekin and bullyin in here, where the bread
o charity is sickenin in our stummicks?
BILL [contemptuously, but backing a little] Wot good are you, you
old palsy mug? Wot good are you?
SHIRLEY. As good as you and better. I'll do a day's work agen you
or any fat young soaker of your age. Go and take my job at
Horrockses, where I worked for ten year. They want young men
there: they can't afford to keep men over forty-five. They're
very sorry--give you a character and happy to help you to get
anything suited to your years--sure a steady man won't be long
out of a job. Well, let em try you. They'll find the differ. What
do you know? Not as much as how to beeyave yourself--layin your
dirty fist across the mouth of a respectable woman!
BILL. Don't provoke me to lay it acrost yours: d'ye hear?
SHIRLEY [with blighting contempt] Yes: you like an old man to
hit, don't you, when you've finished with the women. I ain't seen
you hit a young one yet.
BILL [stung] You lie, you old soupkitchener, you. There was a
young man here. Did I offer to hit him or did I not?
SHIRLEY. Was he starvin or was he not? Was he a man or only a
crosseyed thief an a loafer? Would you hit my son-in-law's
brother?
BILL. Who's he?
SHIRLEY. Todger Fairmile o Balls Pond. Him that won 20 pounds off
the Japanese wrastler at the music hall by standin out 17 minutes
4 seconds agen him.
Public-domain text, read in full here on John Shaqi.
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