Children of the rich -- Drama; Crime -- Drama; Didactic drama; Fathers and daughters -- Drama; Salvation Army -- Drama
STEPHEN [actually smiling, and putting his hand on his father's
shoulder with indulgent patronage] Really, my dear father, it is
impossible to be angry with you. You don't know how absurd all
this sounds to ME. You are very properly proud of having been
industrious enough to make money; and it is greatly to your
credit that you have made so much of it. But it has kept you in
circles where you are valued for your money and deferred to for
it, instead of in the doubtless very oldfashioned and
behind-the-times public school and university where I formed my
habits of mind. It is natural for you to think that money governs
England; but you must allow me to think I know better.
UNDERSHAFT. And what does govern England, pray?
STEPHEN. Character, father, character.
UNDERSHAFT. Whose character? Yours or mine?
STEPHEN. Neither yours nor mine, father, but the best elements in
the English national character.
UNDERSHAFT. Stephen: I've found your profession for you. You're a
born journalist. I'll start you with a hightoned weekly review.
There!
Stephen goes to the smaller writing table and busies himself with
his letters.
Sarah, Barbara, Lomax, and Cusins come in ready for walking.
Barbara crosses the room to the window and looks out. Cusins
drifts amiably to the armchair, and Lomax remains near the door,
whilst Sarah comes to her mother.
SARAH. Go and get ready, mamma: the carriage is waiting. [Lady
Britomart leaves the room.]
UNDERSHAFT [to Sarah] Good day, my dear. Good afternoon, Mr.
Lomax.
LOMAX [vaguely] Ahdedoo.
UNDERSHAFT [to Cusins] quite well after last night, Euripides,
eh?
CUSINS. As well as can be expected.
UNDERSHAFT. That's right. [To Barbara] So you are coming to see
my death and devastation factory, Barbara?
BARBARA [at the window] You came yesterday to see my salvation
factory. I promised you a return visit.
LOMAX [coming forward between Sarah and Undershaft] You'll find
it awfully interesting. I've been through the Woolwich Arsenal;
and it gives you a ripping feeling of security, you know, to
think of the lot of beggars we could kill if it came to fighting.
[To Undershaft, with sudden solemnity] Still, it must be rather
an awful reflection for you, from the religious point of view as
it were. You're getting on, you know, and all that.
SARAH. You don't mind Cholly's imbecility, papa, do you?
LOMAX [much taken aback] Oh I say!
UNDERSHAFT. Mr Lomax looks at the matter in a very proper spirit,
my dear.
LOMAX. Just so. That's all I meant, I assure you.
SARAH. Are you coming, Stephen?
STEPHEN. Well, I am rather busy--er-- [Magnanimously] Oh well,
yes: I'll come. That is, if there is room for me.
UNDERSHAFT. I can take two with me in a little motor I am
experimenting with for field use. You won't mind its being rather
unfashionable. It's not painted yet; but it's bullet proof.
LOMAX [appalled at the prospect of confronting Wilton Crescent in
an unpainted motor] Oh I say!
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account