"And then some." This was spoken by another man, one who puffed
heavily up from behind her. He was enormous, not just tall but fat, as
big around as a barrel. His green tee-shirt read IT'S FUN TO USE
LEARNING FOR EVIL! in blocky, pixelated letters. He took her hand and
shook it. "I love your blog," he said. "I read it all the time." He
had three chins, and eyes that were nearly lost in his apple cheeks.
"Meet Lester," Perry said. "My partner."
"Sidekick," Lester said with a huge wink. "Sysadmin slash hardware
hacker slash dogsbody slashdot org."
She chuckled. Nerd humor. Ar ar ar.
"Right, let's get started. You wanna see what I do, right?" Perry
said.
"That's right," Suzanne said.
"Lead the way, Lester," Perry said, and gestured with an arm, deep
into the center of the junkpile. "All right, check this stuff out as
we go." He stuck his hand through the unglazed window of a never-built
shop and plucked out a toy in a battered box. "I love these things,"
he said, handing it to her.
She took it. It was a Sesame Street Elmo doll, labeled BOOGIE WOOGIE
ELMO.
"That's from the great Elmo Crash," Perry said, taking back the box
and expertly extracting the Elmo like he was shelling a nut. "The last
and greatest generation of Elmoid technology, cast into an uncaring
world that bought millions of Li'l Tagger washable graffiti kits
instead after Rosie gave them two thumbs up on her Christmas shopping
guide.
"Poor Elmo was an orphan, and every junkyard in the world has
mountains of mint-in-package BWEs, getting rained on, waiting to start
their long, half-million-year decomposition.
"But check this out." He flicked a multitool off his belt and
extracted a short, sharp scalpel-blade. He slit the grinning,
disco-suited Elmo open from chin to groin and shucked its furry
exterior and the foam tissue that overlaid its skeleton. He slid the
blade under the plastic cover on its ass and revealed a little printed
circuit board.
"That's an entire Atom processor on a chip, there," he said. "Each
limb and the head have their own subcontrollers. There's a
high-powered digital-to-analog rig for letting him sing and dance to
new songs, and an analog-to-digital converter array for converting
spoken and danced commands to motions. Basically, you dance and sing
for Elmo and he'll dance and sing back for you."
Suzanne nodded. She'd missed that toy, which was a pity. She had a
five year old goddaughter in Minneapolis who would have loved a Boogie
Woogie Elmo.
They had come to a giant barn, set at the edge of a story-and-a-half's
worth of anchor store. "This used to be where the contractors kept
their heavy equipment," Lester rumbled, aiming a car-door remote at
the door, which queeped and opened.
Public-domain text, read in full here on John Shaqi.
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