She felt very old. "The thing was that no one really suspected that
there were so many liberal arts majors lurking in the nation's
universities, dying to drop out and learn perl and HTML."
Perry cocked his head. "Yeah, I guess that's analogous. The legacy of
the dotcom years for me is all this free infrastructure, very cheap
network connections and hosting companies and so on. That, I guess,
combined with people willing to use it. I never really thought of it,
but there must have been a lot of people hanging around in the old
days who thought email and the net were pretty sketchy, right?"
She waved her hands at him. "Perry, lad, you don't know the half of
it. There are *still* executives in the rustbelt who spend bailout
money on secretaries to print out their email and then dictate replies
into tape recorders to be typed and sent."
He furrowed his thick eyebrows. "You're joking," he said.
She put her hand on her heart. "I kid you not. I knew people in the
newsroom at the Detroit Free Press. There are whole industries in this
country that are living in the last century.'
"Well, for me, all that dotcommie stuff was like putting down a good
base, making it easy for people like me to get parts and build-logs
and to find hardware hackers to jam with."
Perry got engrossed in a tricky bit of engine-in-seashell then and she
wandered over to Lester, who was printing out more Barbie heads for a
much larger version of his mechanical computer. "It'll be able to add,
subtract, and multiply any two numbers up to 99," he said. "It took
decades to build a vacuum-tube machine that could do that much -- I'm
doing it with *switches* in just three revs. In your face, UNIVAC!"
She laughed. He had a huge bag of laser-cut soda-can switches that he
was soldering onto a variety of substrates from polished car-doors to
a bamboo tiki-bar. She looked closely at the solder. "Is this what
sweatshop solder looks like?"
He looked confused, then said, "Oh! Right, Perry's thing. Yeah,
anything not done by a robot has this artisanal quality of blobbiness,
which I quite like, it's aesthetic, like a painting with visible
brushstrokes. But Perry's right: if you see solder like this on
anything that there are a million of, then you know that it was laid
down by kids and women working for slave wages. There's no way it's
cheaper to make a million solders by hand than by robot unless your
labor force is locked in, force-fed amphetamine, and destroyed for
anything except prostitution inside of five years. But here, in
something like this, so handmade and one of a kind, I think it gives
it a nice cargo-cult neoprimitive feel. Like a field of hand-tilled
furrows."
She nodded. Today she was keeping her computer out, writing down
quotes and tweeting thoughts as they came. They worked side by side in
companionable silence for a while as she killed a couple thousand
spams and he laid down a couple dozen blobs of solder.
Public-domain text, read in full here on John Shaqi.
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