Makers of British Botany; a collection of biographies by living botanists
History
Makers of British Botany; a collection of biographies by living botanists
Botanists -- Great Britain -- Biography; Botany -- Great Britain -- History
suddenly, whilst still actively engaged in his practice. In the words
of the sermon, "It was his Honour and Happiness, to be Serviceable to
the last Moments of Life."
[Illustration: _Plate IV_ NEHEMIAH GREW (1701)
_Portrait of Nehemiah Grew_ after the portrait by R. White which is
reproduced in the _Cosmologia Sacra_, 1701]
Before turning to Grew's botanical work, it may be worth while to
refer very briefly to his writings on other subjects, showing as they
do the remarkable versatility of his mind. He produced a series of
chemical papers, and also pamphlets on the method of making sea-water
fresh, and on the nature of the salts present in the Epsom wells. In
1681 appeared his _Musæum Regalis Societatis_, a catalogue raisonné
of the objects in the Museum of the Royal Society, with which were
bound up some contributions to animal anatomy. The Catalogue is a
bulky volume, and it is hard to forbear a smile on reading that Grew
dedicated it to one Colwall, the founder of the Museum, in order that
the Royal Society "might always wear this Catalogue, as the Miniature
of [his] abundant Respects, near their Hearts." As we should expect,
this Catalogue is far more discursive than such a work would be if
it were drawn up at the present day, though Grew takes credit to
himself for not "medling with Mystick, Mythologick, or Hieroglyphick
matters." He manages, however, to introduce some general remarks which
are of interest. He realises, for instance, that it is possible to
group living creatures in a way which has some significance, and that
it is the business of the biologist to discover this grouping. He
blames Aldrovandus for beginning his history of quadrupeds with the
horse, because it is the most useful animal to man, and points out
that Gesner's arrangement, which is purely alphabetical, is even less
satisfactory. "The very Scale of the Creatures," he concludes, "is a
matter of high speculation." It is tempting to quote largely from the
Catalogue, but I will confine myself to one other remark of Grew's
which is perhaps particularly applicable to-day, when the quotation
of authorities is apt to become almost an obsession: "I have made the
Quotations," he says, "not to prove things well known, to be true; ...
as if _Aristotle_ must be brought to prove a Man hath ten Toes."
Public-domain text, read in full here on John Shaqi.
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