Malaeska: The Indian Wife of the White HunterStephens, Ann S. (Ann Sophia)
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Malaeska: The Indian Wife of the White Hunter
Stephens, Ann S. (Ann Sophia)
Dime novels; Indian women -- Fiction
She fell upon the young girl's neck as she spoke, and wept like an
infant; then, as if conscious of betraying too deep emotion, she lifted
her head, and tried to compose herself; while Sarah sat gazing on her,
agitated, bewildered, and utterly at a loss to account for this sudden
outbreak of feeling, in one habitually so subdued and calm in her
demeanor. After sitting musingly and in silence several moments, the
Indian again lifted her eyes; they were full of sorrowful meaning, yet
there was an eager look about them which showed a degree of excitement
yet unsubdued.
"Dead--are they both dead? his grandparents, I mean?" she said,
earnestly.
"Yes, they are both dead; he told me so."
"And he--the young man--where is he now?"
"I left him at my father's house, not three hours since."
"Come, let us go."
The two arose, passed through the inclosure, and threaded the path
toward the wigwam slowly and in silence.
The afternoon shadows were gathering over the forest, and being anxious
to reach home before dark, Sarah refused to enter the wigwam when they
reached it. The Indian went in for a moment, and returned with a slip
of birch bark, on which a few words were lightly traced in pencil.
"Give this to the young man," she said, placing the bark in Sarah's
hand; "and now good-night--good-night."
Sarah took the bark and turned with a hurried step to the forest track.
She felt agitated, and as if something painful were about to happen.
With a curiosity aroused by the Indian's strange manner, she examined
the writing on the slip of bark in her hand; it was only a request
that William Danforth would meet the writer at a place appointed, on
the bank of the Catskill Creek, that evening. The scroll was signed,
"Malaeska."
Malaeska! It was singular, but Sarah Jones had never learned the
Indian's name before.
CHAPTER XIV.
The point of land, which we have described in the early part of this
story, as hedging in the outlet of Catskill Creek, gently ascends
from the juncture of the two streams and rolls upward into a broad
and beautiful hill, which again sweeps off toward the mountains and
down the margin of the Hudson in a vast plain, at the present day cut
up into highly cultivated farms, and diversified by little eminences,
groves, and one large tract of swamp-land. Along the southern margin of
the creek the hill forms a lofty and picturesque bank, in some places
dropping to the water in a sheer descent of forty or fifty feet, and in
others, sloping down in a more gradual but still abrupt fall, broken
into little ravines, and thickly covered with a fine growth of young
timber.
Public-domain text, read in full here on John Shaqi.
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