Malaeska: The Indian Wife of the White HunterStephens, Ann S. (Ann Sophia)
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Malaeska: The Indian Wife of the White Hunter
Stephens, Ann S. (Ann Sophia)
Dime novels; Indian women -- Fiction
A foot-path winds up from the stone dwelling, which we have already
described, along the upper verge of this bank to the level of the
plain, terminating in a singular projection of earth which shoots out
from the face of the bank some feet over the stream, taking the form
of a huge serpent's head. This projection commands a fine view of the
village, and is known to the inhabitants by the title of "Hoppy Nose,"
from a tradition attached to it. The foot-path, which terminates at
this point, receives a melancholy interest from the constant presence
of a singular being who has trod it regularly for years. Hour after
hour, and day after day, through sunshine and storm, he is to be seen
winding among the trees, or moving with a slow monotonous walk along
this track, where it verges into the rich sward. Speechless he has
been for many years, not from inability, but from a settled, unbroken
habit of silence. He is perfectly gentle and inoffensive, and from his
quiet bearing a slight observer might mistake him for a meditative
philosopher, rather than a man slightly and harmlessly insane as a
peculiar expression in his clear, blue eyes and his resolute silence
must surely proclaim him to be.
But we are describing subsequent things, rather than the scenery as it
existed at the time of our story. Then, the hillside and all the broad
plain was a forest of heavy timbered land, but the bank of the creek
was much in its present condition. The undergrowth throve a little more
luxuriantly, and the "Hoppy Nose" shot out from it covered with a thick
coating of grass, but shrubless with the exception of two or three
saplings and a few clumps of wild-flowers.
As the moon arose on the night after Sarah Jones' interview with the
Indian woman, that singular being stood upon the "Hoppy Nose," waiting
the appearance of young Danforth. More than once she went out to the
extreme verge of the projection, looked eagerly up and down the
stream, then back into the shadow again, with folded arms, continued
her watch as before.
At length a slight sound came from the opposite side; she sprang
forward, and supporting herself by a sapling, bent over the stream,
with one foot just touching the verge of the projection, her lip
slightly parted, and her left hand holding back the hair from her
temples, eager to ascertain the nature of the sound. The sapling bent
and almost snapped beneath her hold, but she remained motionless, her
eyes shining in the moonlight with a strange, uncertain luster and
keenly fixed on the place whence the sound proceeded.
A canoe cut out into the river, and made toward the spot where she was
standing.
"It is he!" broke from her parted lips, as the moonlight fell on the
clear forehead and graceful form of a young man who stood upright in
the little shallop, and drawing a deep breath, she settled back, folded
her arms, and waited his approach.
Public-domain text, read in full here on John Shaqi.
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