The Durian tree (for an account of whose famous fruit the classical description in Wallace's Malay Archipelago may be referred to) is a semi-wild fruit-tree, whose stem frequently rises to the height of some eighty or ninety feet before the branches are met with. It is generally planted in groves, which are often to be found in the jungle when all other traces of former human habitation have completely disappeared, though even then its fruit, if tradition says true, is as keenly fought over by the denizens of the forest (monkeys, bears, and tigers) as ever it was by their temporary dispossessors. Interspersed among the Durian trees will be found numerous varieties of orchard trees of a less imperial height, amongst which may be named the Rambutan, [348] Rambei, [349] Lansat, [350] Duku, [351] Mangostin, [352] and many others. A small grove of these trees, which was claimed by the late Sultan `Abdul Samad of Selangor, grew within about a mile of my bungalow at Jugra, and I was informed that in years gone by a curious ceremony (called Menyemah durian) was practised in order to make the trees more productive. On a specially selected day, it was said, the village would assemble at this grove, and (no doubt with the usual accompaniment of the burning of incense and scattering of rice) the most barren of the Durian trees would be singled out from the rest. One of the local Pawangs would then take a hatchet (beliong) and deliver several shrewd blows upon the trunk of the tree, saying:-- "Will you now bear fruit or not? If you do not I shall fell you." [353] To this the tree (through the mouth of a man who had been stationed for the purpose in a Mangostin tree hard by) was supposed to make answer:-- "Yes, I will now bear fruit; I beg you not to fell me." [354] I may add that it was a common practice in the fruit season for the boys who were watching for the fruit to fall (for which purpose they were usually stationed in small palm-thatch shelters) to send echoing through the grove a musical note, which they produced by blowing into a bamboo instrument called tuang-tuang. I cannot, however, say whether this custom now has any ceremonial significance or not, though it seems not at all unlikely that it once had. [355] The Malacca Cane No less distinct are the animistic ideas of the Malays relating to various species of the Malacca-cane plant. Mr. Wray of the Perak Museum writes as follows:--