Malay Magic: Being an introduction to the folklore and popular religion of the Malay PeninsulaSkeat, Walter William
Religion
Malay Magic: Being an introduction to the folklore and popular religion of the Malay Peninsula
Skeat, Walter William
Magic -- Malay Peninsula; Malays (Asian people) -- Folklore; Malays (Asian people) -- Social life and customs
"One night, when the Moon has waxed nearly to the full, Pekan resounds
with a babel of discordant noise. The large brass gongs, in which
the devils of the Chinese are supposed to take delight, clang and
clash and bray through the still night air; the Malay drums throb and
beat and thud; all manner of shrill yells fill the sky, and the roar
of a thousand native voices rises heavenwards, or rolls across the
white waters of the river, which are flecked with deep shadows and
reflections. The jungles on the far bank take up the sound and send
it pealing back in recurring ringing echoes till the whole world seems
to shout in chorus. The Moon which bathes the earth in splendour, the
Moon which is so dear to each one of us, is in dire peril this night,
for that fierce monster, the Gerhâna, [19] whom we hate and loathe,
is striving to swallow her. You can mark his black bulk creeping over
her, dimming her face, consuming her utterly, while she suffers in the
agony of silence. How often in the past has she served us with the
light; how often has she made night more beautiful than day for our
tired, sun-dazed eyes to look upon; and shall she now perish without
one effort on our part to save her by scaring the Monster from his
prey? No! A thousand times no! So we shout, and clang the gongs,
and beat the drums, till all the animal world joins in the tumult,
and even inanimate nature lends its voice to swell the uproar with
a thousand resonant echoes. At last the hated Monster reluctantly
retreats. Our war-cry has reached his ears, and he slinks sullenly
away, and the pure, sad, kindly Moon looks down in love and gratitude
upon us, her children, to whose aid she owes her deliverance." [20]
The "spots on the moon" [21] are supposed to represent an inverted
banyan tree (Beringin songsang), underneath which an aged hunchback
is seated plaiting strands of tree bark (pintal tali kulit t'rap)
to make a fishing-line, wherewith he intends to angle for everything
upon the earth as soon as his task is completed. It has never been
completed yet, however, for a rat always gnaws the line through in
time to save mankind from disaster, despite the vigilance of the
old man's cat, which is always lying in wait for the offender. [22]
It is perhaps scarcely necessary to add that when the line reaches
the earth the end of the world will come.
Public-domain text, read in full here on John Shaqi.
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