Malay Magic: Being an introduction to the folklore and popular religion of the Malay PeninsulaSkeat, Walter William
Religion
Malay Magic: Being an introduction to the folklore and popular religion of the Malay Peninsula
Skeat, Walter William
Magic -- Malay Peninsula; Malays (Asian people) -- Folklore; Malays (Asian people) -- Social life and customs
The following description of birth-taboos in Pahang, taken from
Mr. H. Clifford's Studies in Brown Humanity, will give a good general
idea of this part of the subject:--
"When Umat has placed the sîrih leaves he has done all he can for
Selema, and he resigns himself to endure the anxiety of the next few
months with the patience of which he has so much command. The pantang
ber-ânak, or birth-taboos, hem a husband in almost as rigidly as they
do his wife, and Umat, who is as superstitious as are all the Malays
of the lower classes, is filled with fear lest he should unwittingly
transgress any law, the breach of which might cost Selema her life. He
no longer shaves his head periodically, as he loves to do, for a
naked scalp is very cool and comfortable; he does not even cut his
hair, and a thick black shock stands five inches high upon his head,
and tumbles raggedly about his neck and ears. Selema is his first
wife, and never before has she borne children, wherefore no hair of
her husband's must be trimmed until her days are accomplished. Umat
will not kill the fowls for the cook now, nor even drive a stray dog
from the compound with violence, lest he should chance to maim it,
for he must shed no blood, and must do no hurt to any living thing
during all this time. One day he is sent on an errand up-river and
is absent until the third day. On inquiry it appears that he passed
the night in a friend's house, and on the morrow found that the wife
of his host was shortly expecting to become a mother. Therefore he
had to remain at least two nights in the village. Why? Because if
he failed to do so, Selema would die. Why would she die? God alone
knows, but such is the teaching of the men of old, the wise ones of
ancient days. But Umat's chief privation is that he is forbidden to
sit in the doorway of his house. To understand what this means to
a Malay, you must realise that the seat in the doorway, at the head
of the stair-ladder that reaches to the ground, is to him much what
the fireside is to the English peasant. It is here that he sits and
looks out patiently at life, as the European gazes into the heart of
the fire. It is here that his neighbours come to gossip with him,
and it is in the doorway of his own or his friend's house that the
echo of the world is borne to his ears. But, while Selema is ill,
Umat may not block the doorway, or dreadful consequences will ensue,
and though he appreciates this and makes the sacrifice readily for
his wife's sake, it takes much of the comfort out of his life.
Public-domain text, read in full here on John Shaqi.
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