Meanwhile a young cocoa-nut frond, twisted into a slip-knot with V-shaped ends (something like the "merry thought" of a fowl), is presented to the bride and bridegroom, each of whom takes hold of one end, and blowing on it (sembor) thrice, pulls it till it comes undone, and the lepas-lepas rite is concluded. Finally, a girdle of thread is passed seven times over the heads and under the feet of the bride and bridegroom, when the bridegroom breaks through the thread and they are all free to return homewards. This latter ceremony is called 'lat-'lat. The guests then return to their homes, divest themselves of their wet garments, and put on their wedding attire. The bersuap-suapan, or feeding ceremony, is then performed (both vessels of adap-adap rice being used), and then all parties disperse for the usual games. Seven days after the "Concluding Day" (Hari Langsong), the ceremony of Discarding the Earrings (i.e. subang, the emblems of virginity) is performed by the bride. Raja Bôt of Selangor, who attaches great importance to the lustration ceremony, and says that it ought not to take place later than the seventh day (at a Raja's wedding), thus describes the full ceremony as once arranged by himself:--A small bath-house was built at the top of a flight of seven steps, and water was pumped up to it through a pipe, whose upper end was made fast under the roof of the shed, and terminated in the head of a dragon (naga), from whose jaws the water spouted. The steps were completely lined with women, of whom there must have been an immense number (no men being allowed to be present), and the Raja and his bride bathed before them. A royal bath-house of this kind is called balei pancha persada, and should be used not only at "royal" weddings, but at coronations (waktu di-naubatkan); it is described in the following lines:-- "Naik balei pancha persada Di-hadap uleh sagala Biduanda, Dudok semaiam dengan bertakhta. Mandi ayer yang kaluar di mulut Naga"-- which may be translated:-- "Ascend to the Royal Bath-House In the presence of all your courtiers, Take your seat in royal state, And bathe in the water that flows from the Dragon's Mouth." It must not be supposed that, with such a mass of detail, many things may not have been overlooked, but it may be remarked as some sort of a practical conclusion to this account, that the Malay wedding ceremony, even as carried out by the poorer classes, shows that the contracting parties are treated as royalty, that is to say, as sacred human beings, and if any further proof is required, in addition to the evidence which may be drawn from the general character of the ceremony, I may mention, firstly, the fact that the bride and bridegroom are actually called Raja Sari, (i.e. Raja sa-hari, the "sovereigns of a day"); and, secondly, that it is a polite fiction that no command of theirs, during their one day of sovereignty, may be disobeyed.