Malay Magic: Being an introduction to the folklore and popular religion of the Malay PeninsulaSkeat, Walter William
Religion
Malay Magic: Being an introduction to the folklore and popular religion of the Malay Peninsula
Skeat, Walter William
Magic -- Malay Peninsula; Malays (Asian people) -- Folklore; Malays (Asian people) -- Social life and customs
"'I make ten thousand salutations. I wish to inquire about the
practice of ber-hantu, driving oneself mad and losing one's reason,
as has been the custom of Rajas and Chiefs in this State of Perak;
is it right, according to your religion, Mr. Resident, or is it
not? For that practice is a deadly sin to the Muhammadan Faith,
because those who engage in it lose their reason and waste their
substance for nothing; some of them cast it into the water, while
others scatter it broadcast through the jungle. How is such conduct
treated by your religion, Mr. Resident; is it right or wrong? I
want you in your indulgence to give me an answer, for this practice
is very hard on the poor. The Headmen collect from the rayats, and
then they make elaborate preparations of food, killing a buffalo or
fowls, and all this is thrown away as already stated. According to
the Muhammadan religion such proceedings lead to destruction.
"'I salute you many times; do not be angry, for I do not understand
your customs, Mr. Resident.
"'(Signed) Haji Muhammad Abu Hassan.'" [684]
9. DANCES, SPORTS, AND GAMES
Dance Ceremonies
The following passage is an account of a characteristic Malay dance,
the Joget:--
"Malays are not dancers, but they pay professional performers to
dance for their amusement, and consider that 'the better part' is
with those who watch, at their ease, the exertions of a small class,
whose members are not held in the highest respect. The spectacle
usually provided is strangely wanting in attraction: a couple of
women shuffling their feet and swaying their hands in gestures that
are practically devoid of grace or even variety--that is the Malay
dance--and it is accompanied by the beating of native drums, the
striking together of two short sticks held in either hand, and the
occasional boom of a metal gong. The entertainment has an undoubted
fascination for Malays, but it generally forms part of a theatrical
performance, and for Western spectators it is immeasurably dull. [685]
"In one of the Malay States, however, Pahang, it has for years been
the custom for the ruler and one or two of his near relatives to keep
trained dancing girls, who perform what is called the 'Jôget'--a real
dance with an accompaniment of something like real music, though the
orchestral instruments are very rude indeed.
"The dancers, bûdak jôget, belong to the Raja's household, they may
even be attached to him by a closer tie; they perform seldom, only for
the amusement of their lord and his friends, and the public are not
admitted. Years ago I saw such a dance, [686] and though peculiar to
Pahang, as far as the Malay States are concerned, it is probable that
it came originally from Java; the instruments used by the orchestra
and the airs played are certainly far more common in Java and Sumatra
than in the Peninsula.
Public-domain text, read in full here on John Shaqi.
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