Malbone: An Oldport RomanceHigginson, Thomas Wentworth
General
Malbone: An Oldport Romance
Higginson, Thomas Wentworth
Newport (R.I.) -- Fiction
This neat epitaph implied the erection of a final tombstone over the
whole race, and Kate asked no more.
Meantime Malbone sat at the western door with Harry, and was running
on with one of his tirades, half jest, half earnest, against American
society.
“In America,” he said, “everything which does not tend to money is
thought to be wasted, as our Quaker neighbor thinks the children’s
croquet-ground wasted, because it is not a potato field.”
“Not just!” cried Harry. “Nowhere is there more respect for those who
give their lives to intellectual pursuits.”
“What are intellectual pursuits?” said Philip. “Editing daily
newspapers? Teaching arithmetic to children? I see no others flourishing
hereabouts.”
“Science and literature,” answered Harry.
“Who cares for literature in America,” said Philip, “after a man rises
three inches above the newspaper level? Nobody reads Thoreau; only an
insignificant fraction read Emerson, or even Hawthorne. The majority of
people have hardly even heard their names. What inducement has a writer?
Nobody has any weight in America who is not in Congress, and nobody gets
into Congress without the necessity of bribing or button-holing men whom
he despises.”
“But you do not care for public life?” said Harry.
“No,” said Malbone, “therefore this does not trouble me, but it troubles
you. I am content. My digestion is good. I can always amuse myself. Why
are you not satisfied?”
“Because you are not,” said Harry. “You are dissatisfied with men, and
so you care chiefly to amuse yourself with women and children.”
“I dare say,” said Malbone, carelessly. “They are usually less
ungraceful and talk better grammar.”
“But American life does not mean grace nor grammar. We are all living
for the future. Rough work now, and the graces by and by.”
“That is what we Americans always say,” retorted Philip. “Everything
is in the future. What guaranty have we for that future? I see none. We
make no progress towards the higher arts, except in greater quantities
of mediocrity. We sell larger editions of poor books. Our artists fill
larger frames and travel farther for materials; but a ten-inch canvas
would tell all they have to say.”
“The wrong point of view,” said Hal. “If you begin with high art, you
begin at the wrong end. The first essential for any nation is to put
the mass of the people above the reach of want. We are all usefully
employed, if we contribute to that.”
“So is the cook usefully employed while preparing dinner,” said Philip.
“Nevertheless, I do not wish to live in the kitchen.”
“Yet you always admire your own country,” said Harry, “so long as you
are in Europe.”
“No doubt,” said Philip. “I do not object to the kitchen at that
distance. And to tell the truth, America looks well from Europe.
No culture, no art seems so noble as this far-off spectacle of a
self-governing people. The enthusiasm lasts till one’s return. Then
there seems nothing here but to work hard and keep out of mischief.”
Public-domain text, read in full here on John Shaqi.
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