Born into the world with many other gifts, this last and least definable gift of popularity was added to complete them all. Nobody criticised her, nobody was jealous of her, her very rivals lent her their new music and their lovers; and her own discarded wooers always sought her to be a bridesmaid when they married somebody else. She was one of those persons who seem to have come into the world well-dressed. There was an atmosphere of elegance around her, like a costume; every attitude implied a presence-chamber or a ball-room. The girls complained that in private theatricals no combination of disguises could reduce Kate to the ranks, nor give her the “make-up” of a waiting-maid. Yet as her father was a New York merchant of the precarious or spasmodic description, she had been used from childhood to the wildest fluctuations of wardrobe;--a year of Paris dresses,--then another year spent in making over ancient finery, that never looked like either finery or antiquity when it came from her magic hands. Without a particle of vanity or fear, secure in health and good-nature and invariable prettiness, she cared little whether the appointed means of grace were ancient silk or modern muslin. In her periods of poverty, she made no secret of the necessary devices; the other girls, of course, guessed them, but her lovers never did, because she always told them. There was one particular tarlatan dress of hers which was a sort of local institution. It was known to all her companions, like the State House. There was a report that she had first worn it at her christening; the report originated with herself. The young men knew that she was going to the party if she could turn that pink tarlatan once more; but they had only the vaguest impression what a tarlatan was, and cared little on which side it was worn, so long as Kate was inside.