Christian fiction; Fishers -- Fiction; Love stories; Scotland -- Fiction
MALCOLM
by George MacDonald
CONTENTS.
I. MISS HORN
II. BARBARA CATANACH
III. THE MAD LAIRD
IV. PHEMY MAIR
V. LADY FLORIMEL
VI. DUNCAN MACPHAIL
VII. ALEXANDER GRAHAM
VIII. THE SWIVEL
IX. THE SALMON-TROUT
X. THE FUNERAL
XI. THE OLD CHURCH
XII. THE CHURCHYARD
XIII. THE MARQUIS OF LOSSIE
XIV. MEG PARTAN’S LAMP
XV. SLOPE OF THE DUNE
XVI. THE STORM
XVII. THE ACCUSATION
XVIII. THE QUARREL
XIX. DUNCAN’S PIPES
XX. ADVANCES
XXI. MEDIATION
XXII. WHENCE AND WHITHER?
XXIII. ARMAGEDDON
XXIV. THE FEAST
XXV. THE NIGHT WATCH
XXVI. NOT AT CHURCH
XXVII. LORD GERNON
XXVIII. A FISHER-WEDDING
XXIX. FLORIMEL AND DUNCAN
XXX. THE REVIVAL
XXXI. WANDERING STARS
XXXII. THE SKIPPER’S CHAMBER
XXXIII. THE LIBRARY
XXXIV. MILTON AND THE BAY MARE
XXXV. KIRKBYRES
XXXVI. THE BLOW
XXXVII. THE CUTTER
XXXVIII. THE TWO DOGS
XXXIX. COLONSAY CASTLE
XL. THE DEIL’S WINNOCK
XLI. THE CLOUDED SAPPHIRES
XLII. DUNCAN’S DISCLOSURE
XLIII. THE WIZARD’S CHAMBER
XLIV. THE HERMIT
XLV. MR CAIRNS AND THE MARQUIS
XLVI. THE BALLIES’ BARN
XLVII. MRS STEWART’S CLAIM
XLVIII. THE BALLIES’ BARN AGAIN
XLIX. MOUNT PISGAH
L. LIZZY FINDLAY
LI. THE LAIRD’S BURROW
LII. CREAM OR SCUM
LIII. THE SCHOOLMASTER’S COTTAGE
LIV. ONE DAY
LV. THE SAME NIGHT
LVI. SOMETHING FORGOTTEN
LVII. THE LAIRD’S QUEST
LVIII. MALCOLM AND MRS STEWART
LIX. AN HONEST PLOT
LX. THE SACRAMENT
LXI. MISS HORN AND THE PIPER
LXII. THE CUTTLE-FISH AND THE CRAB
LXIII. MISS HORN AND LORD LOSSIE
LXIV. THE LAIRD AND HIS MOTHER
LXV. THE LAIRD’S VISION
LXVI. THE CRY FROM THE CHAMBER
LXVII. FEET OF WOOL
LXVIII. HANDS OF IRON
LXIX. THE MARQUIS AND THE SCHOOLMASTER
LXX. END OR BEGINNING
MALCOLM.
CHAPTER I.
MISS HORN.
“Na, na; I hae nae feelin’s, I’m thankfu’ to say. I never kent ony
guid come o’ _them_. They’re a terrible sicht i’ the gait.”
“Naebody ever thoucht o’ layin’ ’t to yer chairge, mem.”
“’Deed, I aye had eneuch adu to du the thing I had to du, no to
say the thing ’at naebody wad du but mysel’. I hae had nae leisur’
for feelin’s an’ that,” insisted Miss Horn.
But here a heavy step descending the stair just outside the
room attracted her attention, and checking the flow of her speech
perforce, with three ungainly strides she reached the landing.
“Watty Witherspail! Watty!” she called after the footsteps down
the stair.
“Yes, mem,” answered a gruff voice from below.
“Watty, whan ye fess the bit boxie, jist pit a hemmer an’ a puckle
nails i’ your pooch to men’ the hen-hoose-door. The tane maun be
atten’t till as weel ’s the tither.”
Public-domain text, read in full here on John Shaqi.
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