Christian fiction; Fishers -- Fiction; Love stories; Scotland -- Fiction
The house was an ancient pile, mainly of two sides at right angles,
but with many gables, mostly having corbel steps--a genuine old
Scottish dwelling, small-windowed and gray, with steep slated roofs,
and many turrets, each with a conical top. Some of these turrets
rose from the ground, encasing spiral stone stairs; others were
but bartizans, their interiors forming recesses in rooms. They gave
the house something of the air of a French chateau, only it looked
stronger and far grimmer. Carved around some of the windows,
in ancient characters, were Scripture texts and antique proverbs.
Two time-worn specimens of heraldic zoology, in a state of fearful
and everlasting excitement, stood rampant and gaping, one on each
side of the hall-door, contrasting strangely with the repose of
the ancient house, which looked very like what the oldest part of
it was said to have been--a monastery. It had at the same time,
however, a somewhat warlike expression, wherein consisting it would
have been difficult to say; nor could it ever have been capable of
much defence, although its position in that regard was splendid. In
front was a great gravel-space, in the centre of which lay a huge
block of serpentine, from a quarry on the estate, filling the office
of goal, being the pivot, as it were, around which all carriages
turned.
On one side of the house was a great stone bridge, of lofty span,
stretching across a little glen, in which ran a brown stream spotted
with foam--the same that entered the frith beside the Seaton; not
muddy, however, for though dark it was clear--its brown being a
rich transparent hue, almost red, gathered from the peat-bogs of
the great moorland hill behind. Only a very narrow terrace-walk,
with battlemented parapet, lay between the back of the house, and
a precipitous descent of a hundred feet to this rivulet. Up its
banks, lovely with flowers and rich with shrubs and trees below,
you might ascend until by slow gradations you left the woods and
all culture behind, and found yourself, though still within the
precincts of Lossie House, on the lonely side of the waste hill,
a thousand feet above the sea.
The hall-door stood open, and just within hovered Mrs Courthope,
dusting certain precious things not to be handled by a housemaid.
This portion of the building was so narrow that the hall occupied
its entire width, and on the opposite side of it another door,
standing also open, gave a glimpse of the glen.
“Good morning, Malcolm,” said Mrs Courthope, when she turned and
saw whose shadow fell on the marble floor. “What have you brought
me?”
“A fine sawmon-troot, mem. But gien ye had hard hoo Mistress
Catanach flytit (_scolded_) at me ’cause I wadna gie ’t to her! You
wad hae thocht, mem, she was somethin’ no canny--the w’y ’at she
first beggit, an’ syne fleecht (_flattered_), an’ syne a’ but banned
an’ swore.”
Public-domain text, read in full here on John Shaqi.
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