Christian fiction; Fishers -- Fiction; Love stories; Scotland -- Fiction
“I ken what I mean mysel’, an’ ane that’s no content wi’ that,
bude (_behoved_) ill be a howdie (_midwife_). I wad fain hae gotten a
fancy oot o’ my heid that’s been there this mony a lang day; but
please yersel’, mem, gien ye winna be neebourly.”
“Ye s’ no gang near her--no to save ye frae a’ the ill dreams
that ever gethered aboot a sin-stappit (_stuffed_) bowster!” cried
Miss Horn, and drew down her long upper lip in a strong arch.
“Ca cannie! ca cannie! (_drive gently_),” said Bawby. “Dinna anger
me ower sair, for I _am_ but mortal. Fowk tak a heap frae you, Miss
Horn, ’at they’ll tak frae nane ither, for your temper’s weel kent,
an’ little made o’; but it’s an ill-faured thing to anger the howdie
--sae muckle lies upo’ _her_; an’ I’m no i’ the tune to put up wi’
muckle the nicht. I wonner at ye bein’ sae oonneebour-like--at
sic a time tu, wi’ a corp i’ the hoose!”
“Gang awa--gang oot o ’t: it’s _my_ hoose,” said Miss Horn, in a low,
hoarse voice, restrained from rising to tempest pitch only by the
consciousness of what lay on the other side of the ceiling above
her head. “I wad as sune lat a cat intill the deid-chaumer to gang
loupin’ ower the corp, or may be waur, as I wad lat yersel’ intill
’t Bawby Catanach; an’ there’s till ye!”
At this moment the opportune entrance of Jean afforded fitting
occasion to her mistress for leaving the room without encountering
the dilemma of either turning the woman out--a proceeding which
the latter, from the way in which she set her short, stout figure
square on the floor, appeared ready to resist--or of herself
abandoning the field in discomfiture: she turned and marched from
the kitchen with her head in the air, and the gait of one who had
been insulted on her own premises.
She was sitting in the parlour, still red-faced and wrathful, when
Jean entered, and, closing the door behind her, drew near to her
mistress, bearing a narrative, commenced at the door, of all she
had seen, heard, and done, while “oot an’ aboot i’ the toon.” But
Miss Horn interrupted her the moment she began to speak.
“Is that wuman furth the hoose, Jean?” she asked, in the tone
of one who waited her answer in the affirmative as a preliminary
condition of all further conversation.
“She’s gane, mem,” answered Jean--adding to herself in a wordless
thought, “I’m no sayin’ _whaur_.”
“She’s a wuman I wadna hae ye throng wi’, Jean.”
“I ken no ill o’ her, mem,” returned Jean.
“She’s eneuch to corrup’ a kirkyaird!” said her mistress, with more
force than fitness.
Public-domain text, read in full here on John Shaqi.
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