William Johnson longed for some decrepit and dirty old man or woman
to enter the Bureau, selling boot-laces or bananas and, on being
peremptorily ordered out, to see the figure suddenly straighten
itself, and hear his Chief's well-known voice remark, "So you don't
recognise me, Johnson--good." There was romance.
He yearned for a "property-room," where executive members of the
staff would disguise themselves beyond recognition. In his more
imaginative moments he saw come out from that mysterious room a
full-blooded Kaffir, whereas he knew that only Thompson had entered.
He would have liked to see Miss Norman shed her pretty brunetteness
and reappear as an old apple-woman, who besought him to buy of her
wares. He even saw himself being transformed into a hooligan, or a
smart R.A.F. officer, complete with a toothbrush moustache and
"swish."
In his own mind he was convinced that, given the opportunity, he
could achieve greatness as a master of disguise, rivalling the
highly-coloured stories of Charles Peace. He had even put his
theories to the test.
One evening as Miss Norman, who had been working late, was on her
way to Charing Cross Underground Station, she was accosted by a
youth with upturned collar, wearing a shabby cap and a queer Charlie
Chaplain moustache that was not on straight. In a husky voice he
enquired his way to the Strand.
"Good gracious, Johnnie!" she cried involuntarily. "What on earth's
the matter?"
A moment later, as she regarded the vanishing form of William
Johnson, she wanted to kill herself for her lack of tact.
"Poor little Innocent!" she had murmured as she continued down
Villiers Street, and there was in her eyes a reflection of the tears
she had seen spring to those of William Johnson, whose first attempt
at disguise had proved so tragic a failure.
Neither ever referred to the incident subsequently--although for
days William Johnson experienced all the unenviable sensations of
Damocles.
From that moment his devotion to Gladys Norman had become almost
worship.
But William Johnson was not deterred, either by his own initial
failure or his chief's opinion. He resolutely stuck to his own
ideas, and continued to expend his pocket-money upon tinted glasses,
false-moustaches and grease paint; for hidden away in the inner
recesses of his mind was the conviction that it was not quite
playing the game, as the game should be played, to solve a mystery
or bring a criminal to justice without having recourse to disguise.
It was to him as if Nelson had won the Battle of Trafalgar in a soft
hat and a burberry, or Wellington had met Blücher in flannels and
silk socks.
Somewhere in the future he saw himself the head of a "William
Johnson Bureau," and in the illustrated papers a portrait of "Mr.
William Johnson as he is," and beneath it a series of characters
that would rival a Dickens novel, with another legend reading, "Mr.
William Johnson as he appears."
Public-domain text, read in full here on John Shaqi.
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