Georgia -- Fiction; Lynching -- Fiction; United States -- Race relations -- Fiction
HE young men in Carson Dwight's set had an odd sort of lounging-place.
It was Keith Gordon's room above his father's bank in an old building
which had withstood the shot and shell of the Civil War. “The Den,” as
it was called by its numerous hap-hazard occupants, was reached from
the street on the outside by a narrow flight of worm-eaten and rickety
stairs and a perilous little balcony or passage that clung to the
brick wall, twenty feet from the ground, along the full length of the
building. It was here in one of the four beds that Keith slept, when
there was room for him. After a big dance or a match game of baseball,
when there were impecunious visitors from neighboring towns left over
for various and sundry reasons, Keith had to seek the sanctimonious
solitude of his father's home or go to the hotel.
The den was about twenty-five feet square. It was not as luxurious as
such bachelor quarters went in Augusta, Savannah, or even Atlanta,
but it answered the purpose of “the gang” which made use of it. Keith
frankly declared that he had overhauled and replenished it for the last
time. He said that it was absolutely impossible to keep washbasins and
pitchers, when they were hurled out of the windows for pure amusement of
men who didn't care whether they washed or not. As for the laundry bill,
he happened to know that it was larger than that of the Johnston House
or the boarding department of the Darley Female College. He said, too,
that he had warned the gang for the last time that the room would be
closed if any more clog-dancing were indulged in. He said his father
complained that the plastering was dropping down on his desk below,
and sensible men ought to know that a thing like that could not go on
forever.
The rules concerning the payment for drinks were certainly lax. No
accounts were kept of any man's indebtedness. Any member of the gang was
at liberty to stow away a flask of any size in the bureau or wash-stand
drawer, or under the mattresses or pillows of his or anybody else's bed,
where Skelt, the negro who swept the room, and loved stimulants could
not find it.
Public-domain text, read in full here on John Shaqi.
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