Georgia -- Fiction; Lynching -- Fiction; United States -- Race relations -- Fiction
Motioning to Lewis to leave them alone, Helen sat down on the edge of
the bed and put her arm round Linda's shoulders, but the old woman rose
and went to the door and closed it, then she came back and stood by
Helen in the half-darkness that now filled the room.
“I want you ter git down here by my baid en pray fer me, honey,” she
said. “Seem ter me lak de Lawd always have listen ter white folks mo'
den de black, anyway, en I want you ter beg 'Im ter spare po' li'l'
foolish Pete des dis time--_des dis once_.” Kneeling by the bed, Helen
covered her wet face with her hands. Linda knelt beside her, and Helen
prayed aloud, her clear, sweet voice ringing through the still room.
CHAPTER XII.
[Illustration: 9109]
N Carson Dwight's farm, as the place was not particularly well kept,
the negro hands lived in dismantled log-cabins scattered here and there
about the fields, or in the edge of the woods surrounding the place. In
one of these, at the overseer's suggestion, Pete had installed himself,
his household effects consisting only of a straw mattress thrown on the
puncheon floor and a few cooking utensils for use over the big fireplace
of the mud-and-log chimney.
Here he was sleeping on the night of the tragedy which had stirred the
country-side into a white heat of race hatred. He had spent the first
half of the night at a negro dance, two miles away, at a farm, and
was much elated by finding that he had attracted marked attention and
feminine favor, which was due to the fact that he was looked upon by the
country blacks as something out of the usual run--a town darky with a
glib tongue and many other accomplishments, and a negro, too, as Pete
assured them, who stood high in the favor of his master, whose name
carried weight wherever it was mentioned.
Shortly after dawn Pete was still sleeping soundly, as was his habit
after a night of pleasure, when his door was rudely shaken.
“Pete Warren! Pete Warren!” a voice called out sharply. “Wake up in dar;
wake up, I tell you!”
There was no response--no sound came from within the cabin except the
deep respiration of the sleeper. The door was shaken again, and then,
as it was not locked, and slightly ajar, the little old negro man on the
outside pushed the shutter open and entered, stalking across the floor
to where Pete lay.
“Wake up here, you fool!” he said, as he bent and shook Pete roughly.
“Wake up, ef you know what good fer you.”
Pete turned over; his snoring broke into little gasps. He opened his
eyes, stared inquiringly for an instant, and then his eyelids began to
close drowsily.
“Looky here!” He was roughly handled again by the black hand on his
shoulder. “You young fool, you dance all night till you cayn't keep yo'
eyes open in de day-time, but ef you don't git er move on you en light
out er dis cabin you'll dance yo' last jig wid nothin' under yo' feet
but wind. It'll be er game er frog in de middle en you be de frog.”
Public-domain text, read in full here on John Shaqi.
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