Mammonart: An essay in economic interpretationSinclair, Upton
History
Mammonart: An essay in economic interpretation
Sinclair, Upton
Arts and society; Economics and literature; Literature -- History and criticism -- Theory, etc.
It was not quite the proper thing for an eminent legal gentleman to
write novels, so Scott published the books anonymously, and always
denied their authorship; but he did not refuse to take the money. He was
a fluent writer, and could turn out a volume in a month or six weeks,
and would get a thousand pounds before he had finished it. Never was
there such prosperity, since the days of Aladdin and his wonderful lamp.
Our Tory novelist was a big overgrown boy; he could never have written
such propaganda otherwise. He began to spend his money as a boy would
spend it--to make real the world of chivalry and romance in nineteenth
century Scotland, fully launched into the age of capitalist
industrialism! He built himself an imitation castle of colossal size,
“with a tall tower at either end ... sundry zigzagged gables ... a
myriad of indentations and parapets, and machicolated eaves; most
fantastic waterspouts; labelled windows, not a few of them painted glass
... stones carved with heraldries innumerable.” And inside, of course,
were all the stage properties, “cuirasses, helmets, swords of every
order, from the claymore and rapier to some German executioner’s
swords.” Here our hero kept open house to all the world of rank and
fashion, with gay hunting parties and dances, drinking bouts, and
singing of ballads and the sounding of pibrochs. It was his aim, in his
own words, “to found a family”; besides becoming a baron, he married his
eldest son to an heiress, and the climax of his career came when King
George IV came to visit his northern dominion, and to be the novelist’s
guest.
It so happened that this king was an odious fat lecher; but that made no
difference, he was Sir Walter’s Most Gracious and Sovereign Lord. In an
ecstasy of loyalty, the novelist took possession of a glass from which
His Majesty had drunk a toast. This was to be preserved as the most
sacred of the treasures of Abbotsford; but, alas, the novelist put it in
his pocket, and in a moment of absent-mindedness sat down on it, and cut
himself severely! It did not occur to his pious soul that this might be
an effort of Providence to teach him something about drinking, or about
the worship of lecherous kings.
Public-domain text, read in full here on John Shaqi.
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