Mammonart: An essay in economic interpretationSinclair, Upton
History
Mammonart: An essay in economic interpretation
Sinclair, Upton
Arts and society; Economics and literature; Literature -- History and criticism -- Theory, etc.
This poet of the future was scorned in his lifetime, as no other great
Englishman in history. He was the byword of the literary wits of London;
“Prometheus Unbound,” they said, an excellent name: who would bind it?
By Sir Walter Scott and his ruffians of the Tory “Review,” Shelley’s
name could not be spoken without crossing yourself. The poet Moore cried
out in horror--Tommy, little snob of the drawing-rooms, who “dearly
loved a lord.” And Wordsworth, ignorant and bigoted, living among his
peasants, reading nothing; and Southey, turncoat and prig. Even Byron
made no fight for Shelley’s fame; while Byron’s friends, the fashionable
idlers of the Continent, rebuked him for keeping such disreputable
company.
Even two generations later the evil spell was not broken. Matthew
Arnold, standard English critic, read about Shelley’s friends, and
lifted his scholarly hands and cried: “What a set!” It did not occur to
the critic to ask what other kind of set Shelley might have had. What
people had he to choose among? Arnold had not tried being a radical, so
as to see what queer people swarm about you--especially when you are
known to have an income of four thousand pounds a year, and to give away
nearly all of it! A poet who believes everything good about his fellows,
and who lives in dreams of exalted nobleness, is the last person in the
world to discover the faults of those who gather about him. And after he
has made the discovery, he remains a dreamer; instead of casting them
off, in the fashion of the good, respectable world, he clings to them,
trying to help them, often in spite of themselves.
Shelley believed in “free love,” and tried out his theories; and that
horrified Matthew Arnold, who said after reading the record, “One feels
sickened forever of the subject of irregular relationships.” Quite so; I
also have seen people try out this theory, and have felt sickened. But
consider the question, in which way will the race more quickly acquire
knowledge as to the rights and wrongs of sex--if men say honestly what
they believe, and tell frankly what they do, or if they preach one code
and practice another, and hide their sins in a dark corner?
Shelley followed the former course; he was young, and knew no older
person who understood him and could give him wise advice. He believed
that if your heart was full of generosity and kindness and unselfishness
and a burning sense of justice, you could trust your desires, even those
of love. He tried it, and filled his life with pain and tragedy. And
seventy or eighty years later comes an eminent and well-established
critic, and in solemn tones protests that it is a crime against good
taste to give us these facts! Let poets follow the plan of Wordsworth,
who sowed his one wild oat in a foreign land, and put a heavy stone of
silence over the crop, and became a Tory laureate and pillar of
Churchianity!
Public-domain text, read in full here on John Shaqi.
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