Mammonart: An essay in economic interpretationSinclair, Upton
History
Mammonart: An essay in economic interpretation
Sinclair, Upton
Arts and society; Economics and literature; Literature -- History and criticism -- Theory, etc.
The revolution of 1830 brought in a new king, Louis-Philippe, the ideal
bourgeois monarch, an amiable gentleman who stayed at home with his wife
and let the bankers and business men run the country. This king made
Victor Hugo into a peer of France. But there was a new revolutionary
outburst preparing, and in 1848 the bourgeois king was dethroned, and
Victor Hugo was elected deputy to the new parliament, styling himself a
“moderate Republican.” The French people at this time were in the same
position as the American people at present; that is, they believed what
they were told, and were ready to accept any tinseled circus-performer
as a statesman. They chose for their president a wretched creature who
happened to be a nephew of Napoleon Bonaparte, and promised a return of
all the old glories of France.
It took only a year of his government for Victor Hugo to realize that
the one hope for progress lay in the program of the radicals. His two
grown sons were thrown into jail for editing a paper attacking the
policies of Louis Napoleon; and the father espoused the ideas of the old
revolution, “the rights of man.” Egged on by the terrified financiers,
Louis Napoleon overthrew the parliament and had himself made emperor.
Victor Hugo sought to rouse the people, barricades were raised in the
streets, and hundreds were shot down with cannon. The poet with great
difficulty made his escape to Brussels, from which city he denounced the
usurper--“Napoleon the Little” as he called him--with the result that
the Catholic government of Belgium passed a law expelling him.
He fled to the channel island of Jersey, where he wrote a book of poems
called “The Chastisements,” one of the most terrific pieces of
denunciation in all the world’s literature. Shortly after this the
bourgeois government of England combined with the bourgeois government
of France to drive Russia out of the Crimea; there was a great war, and
the people of Jersey objected to the poet’s attacks on the French
emperor; they mobbed his home, and he had to flee to the neighboring
island of Guernsey, where he settled down to the true task of a great
artist, to reform the world by changing the ideals of the coming
generations. For nineteen years he stayed in exile, until “Napoleon the
Little” brought himself to ruin, and his country along with him. In the
meantime Victor Hugo had published several volumes of marvelous poetry,
and finally, after ten years’ labor, his masterpiece of fiction, “Les
Misérables,” which appeared simultaneously in eight capitals of the
world, and brought its author the sum of four hundred thousand francs.
Public-domain text, read in full here on John Shaqi.
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