Mammonart: An essay in economic interpretationSinclair, Upton
History
Mammonart: An essay in economic interpretation
Sinclair, Upton
Arts and society; Economics and literature; Literature -- History and criticism -- Theory, etc.
Provincial America in the decades following the Civil War based its
religion upon the dogma that it was the most perfect nation upon God’s
footstool. The whisky-drinking, tobacco-chewing, obscenity-narrating,
Grand Old Party-voting mob would tolerate no criticism, not even that
kind implied by living differently. To it an artist was a freak, whom it
punished with mockery and practical jokes. There were only two possible
ways for him to survive; one was to flee to New York and be lost in the
crowd; the other was to turn into a clown and join in laughing at
himself, and at everything he knew to be serious and beautiful in life.
This latter course was adopted by a man of truly great talent, who might
have become one of the world’s satiric masters if he had not been
overpowered by the spirit of America. His tragic story has been told in
a remarkable study, “The Ordeal of Mark Twain,” by Van Wyck Brooks.
For something like forty years Mark Twain lived as an uncrowned American
king; his friends referred to him thus--“the King.” His was a life which
seemed to have come out of the Arabian Nights’ enchantment. His
slightest move was good for columns in the newspapers; when he traveled
about the world he was his country’s ambassador at large--his baggage
traveled free under consular dispensation, and in London and Vienna the
very traffic regulations were suspended. When he went to Washington to
plead for copyright laws, the two houses adjourned to hear him, and the
speaker of the House turned over his private office to the king of
letters. He made three hundred thousand dollars out of a single book, he
made a fortune out of anything he chose to write. The greatest
millionaires of the country were his intimate friends; he had a happy
family, a strong constitution, inexhaustible energy--what more could a
human being ask?
And yet Mark Twain was not happy. He grew less and less happy as time
passed. Bitterness and despair began to creep into his writings;
sentences like this: “Pity is for the living, envy is for the dead.”
Stranger yet, it began to be whispered that America’s uncrowned king was
a radical! In times of stress some of us would go to him for help, for a
word of sympathy or backing, and always this strange thing was noticed;
he was full of understanding, and would agree with everything we said;
yes, he was one of us. But when we asked for a public action, a
declaration, he was not there.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account