Mammonart: An essay in economic interpretationSinclair, Upton
History
Mammonart: An essay in economic interpretation
Sinclair, Upton
Arts and society; Economics and literature; Literature -- History and criticism -- Theory, etc.
“The Jungle” was published, and he wrote me a letter. It was burned in
the Helicon Hall fire, and I recall only one statement: he had had to
put the book down in the middle, because he could not endure the anguish
it caused him. Naturally, I had my thoughts about such a remark. What
right has a man to refuse to endure the anguish of knowing what other
human beings are suffering? If these sufferings cannot be helped, why
then perhaps we may flee from them; but think what the uncrowned king of
America could have done, in the way of backing a young author who had
aimed at the public’s heart and by accident had hit it in the stomach!
Then came the Gorki case. The great Russian writer came to America to
plead for freedom for his country, and to raise money for the cause. The
intriguers of the tsar set out to ruin him, and turned the bloodhounds
of the capitalist press upon him. A dinner in Gorki’s honor had been
planned, and Mark Twain and William Dean Howells were among the
sponsors. The storm of scandal broke, and these two great ones of
American letters turned tail and fled to cover.
A year or two later Mark Twain was visiting Bermuda, and came to see me.
He had taken to wearing a conspicuous white costume, and with his
snow-white hair and mustache he was a picturesque figure. He chatted
about past times, as old men like to do. I saw that he was kind,
warm-hearted, and also full of rebellion against capitalist greed and
knavery; but he was an old man, and a sick man, and I did not try to
probe the mystery of his life. The worm which was gnawing at his heart
was not revealed, until in the course of time his letters were given to
the public. Now we know the amazing story--that Mark Twain lived a
double life; he, the uncrowned king of America, was the most repressed
personality, the most completely cowed, shamed, and tormented great man
in the history of letters.
He was born in a Missouri River town in 1835. His father was a futile
dreamer with a perpetual motion machine. His mother was a victim of
patent medicines, who had seen better days, and reared a family of
ragged brats in a foul and shabby environment, where a boy saw four
separate murders with his own eyes. “Little Sam” was a shy, sensitive
child, his mother’s darling, and she raised him in a fierce
determination to have him grow up respectable and rich. He became a
printer, then a pilot on the Mississippi River. This latter was a great
career; the river pilot was the uncrowned king of this western country.
He saw all the world in glorious fashion; he was a real artist, and at
the same time carried a solemn responsibility.
Public-domain text, read in full here on John Shaqi.
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