Mammonart: An essay in economic interpretationSinclair, Upton
History
Mammonart: An essay in economic interpretation
Sinclair, Upton
Arts and society; Economics and literature; Literature -- History and criticism -- Theory, etc.
In the effort to excuse himself, this repressed personality evolved a
philosophy of fatalism. Man was merely a machine, and could not help
doing what he did. This was put into a book, “What is Man?” But then he
dared not publish the book! “Am I honest?” he wrote, to a friend. “I
give you my word of honor (privately) I am not. For seven years I have
suppressed a book, which my conscience tells me I ought to publish. I
hold it my duty to publish it. There are other difficult tasks I am
equal to, but I am not equal to that one.” He did publish the book at
last, but anonymously, and with a preface explaining that he dared not
sign his name.
He, America’s greatest humorist, had a duty laid upon him; he saw that
duty clearly--how clearly we learn from a story, “The Mysterious
Stranger,” a ferocious satire upon the human race, published after his
death. In this book Satan asks: “Will a day come when the race will
detect the funniness of these juvenilities and laugh at them--and by
laughing at them destroy them? For your race, in its poverty, has
unquestionably one really effective weapon--laughter. Power, money,
persuasion, supplication, persecution--these can lift at a colossal
humbug--push it a little--weaken it a little, century by century; but
only laughter can blow it to rags and atoms at a blast.... As a race, do
you ever use it at all? No; you lack sense and the courage.” Such was
the spiritual tragedy going on in the soul of a man who was going about
New York, clad in a fancy white costume, smiled upon and applauded by
all beholders, crowned by all critics, wined and dined by Standard Oil
millionaires, dancing inexhaustibly until three or four o’clock in the
morning, and nicknamed in higher social circles “the belle of New York.”
Mrs. Ogi from Mississippi reads this onslaught upon Mrs. Ogi from
Elmira; and her husband wonders a little while he waits. But she only
smiles, and remarks: “In our family the men have a traditional saying:
‘It’s all right to be henpecked, but be sure you get the right hen!’”
CHAPTER CI
SMILING AMERICA
We come now to an American artist who played the part of his own wife;
that is to say, Ogi and Mrs. Ogi combined in one person.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account