Mammonart: An essay in economic interpretationSinclair, Upton
History
Mammonart: An essay in economic interpretation
Sinclair, Upton
Arts and society; Economics and literature; Literature -- History and criticism -- Theory, etc.
The English ruling class had taken upon itself the task of colonizing
and exploiting the rest of the world, and the American ruling class was
following suit, and Richard Harding Davis became the prophet of both.
Throughout Central America and the West Indies the process is
invariable: American capitalists bribe the governments of these
countries and get enormously valuable concessions, then they send in
engineers and other handsome young heroes clad in khaki and puttees and
with automatics in their belts. These heroes engage the natives of the
country to exploit the natural resources and ship out the wealth of the
country, to be spent upon monkey dinners at Newport and champagne
suppers in Broadway lobster palaces. Sooner or later the natives become
irritated at the sight of their natural resources being exported for
such purposes, so they revolt against the native government which has
sold them to the Yankees. Then the handsome young Yankee heroes draw
their automatics and bring up machine guns, and gloriously defend the
native government which they have bought and paid for. The ending comes
triumphantly with a Yankee gunboat in the harbor, and some marines
charging up the slope of a hill waving Old Glory, while the audience
leaps from its seats and cheers for five minutes.
“Soldiers of Fortune” was “Dick” Davis’s biggest success. It brought him
reservoirs of money, first as a serial, then as a novel, then as a
drama, and finally as a movie. His other novels were like it, in that
they dealt with members of the ruling class gloriously making or
marrying fortunes. The next was called “The Princess Aline,” and told
about a young, wealthy, handsome and aristocratic artist--so many
elements of good fortune!--who falls in love with the photograph of a
German princess. The model for this exquisite heroine was the future
Empress of Russia; but Davis did not live to write a sequel, showing the
final destiny of his heroine, her mangled body dumped into a well along
with her husband and four exquisite daughters. Recalling these novels at
the present hour, I see the international plutocracy with all its
exquisite wives and daughters, crouched trembling upon the top of a
mountain of gold and jewels, while all around them the handsome young
hired heroes peer out over the sights of machine guns at the massed fury
of the exploited millions of mankind--white, black, yellow, brown, red,
and mixed.
Public-domain text, read in full here on John Shaqi.
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