Mammonart: An essay in economic interpretationSinclair, Upton
History
Mammonart: An essay in economic interpretation
Sinclair, Upton
Arts and society; Economics and literature; Literature -- History and criticism -- Theory, etc.
Davis became a war correspondent and spent his time racing over the
earth from one scene of excitement to another. I have run through the
volume of his letters and jotted down a few date lines in the order they
occur: Cuba, London, Egypt, Gibraltar, Paris, Central America, South
America, Moscow, Budapest, Havana, London, Florence, Greece, Havana,
Cape Town, Pretoria, Aix-les-Bains, Massachusetts, Madrid, London, San
Francisco, Tokio, Manchuria, Havana, the Congo, New York, London,
Santiago, Vera Cruz, Belgium, Plattsburg, Paris, Athens, Rome. If you
know the history of the world for twenty-five years beginning with 1890
you can connect each of these geographical names with a coronation, a
jubilee, a war, or other ruling-class recreation.
All through the letters runs the theme of money, the Aladdin’s tale of a
soldier of literary fortune. He gets five thousand dollars for the
serial rights of “Soldiers of Fortune” from “Scribner’s Magazine”; he
gets five hundred dollars for reporting a foot-ball game; he gets three
thousand dollars and expenses for a month’s reporting of the Cuban
struggle with Spain, and when America enters the conflict, he gets ten
cents a word from “Scribner’s Magazine” and four hundred dollars a week
and expenses from the New York “Times.”
Everywhere he goes he is, of course, a lion, and moves only in the
highest circles. His letters are full of diplomats and generals and
lords and ladies and kings and queens, together with the most famous
actors and literary lights. He is presented at Court--and by this,
needless to say, I mean the Court of their Majesties the King and Queen
of Great Britain and Ireland, and Emperor and Empress of India. And all
through the letters we note dinner-parties and banquets and
champagne-suppers and cocktails--interrupted by a siege with sciatica,
preparing us for the quick curtain, when our ruling-class hero departs
his successful life at the age of fifty-two.
New York is a place of mean and envious gossip, and one of its
diversions was telling anecdotes illustrating the snobbery and
self-importance of Richard Harding Davis. It appears that in the days of
his extraordinary prosperity he did not always recognize his former
newspaper cronies when he met them on the street. Perhaps he had noted
that so many of these former cronies took the occasion to borrow money
from him. Anyhow, I have one anecdote to contribute to the collection.
Public-domain text, read in full here on John Shaqi.
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