Mammonart: An essay in economic interpretationSinclair, Upton
History
Mammonart: An essay in economic interpretation
Sinclair, Upton
Arts and society; Economics and literature; Literature -- History and criticism -- Theory, etc.
Strike through the pathos and the tragedy of O. Henry at any point, and
what do you find? Everywhere and inevitably one thing, the Big Business
system of America. Here is a waitress in a restaurant with white
porcelain walls and glass-topped tables and a ceaseless clatter of
crockery. Yes, it is pathetic for a girl to carry loads of crockery all
day, and try to keep virtuous on a starvation wage. Then close the O.
Henry book, and consult Moody’s Manual of Corporations, and you discover
that the great chain of restaurants has been bought by Standard Oil;
America’s “great clamorer for dividends” has doubled the prices of the
food without improving its quality, and has failed to raise wages to
keep pace with the cost of living.
Or take James Turner, who presses hats all day and has to stand on his
feet, which makes them sore; he finds his escape in reading Clark
Russell’s sea-tales, and having got a copy, he is happy even in jail.
Consult a study of the sweated trades, and you note that hat pressing is
a secondary and parasitic industry, incapable of being organized;
therefore the poor devil has no one to protect his sore feet. A part of
his equipment is a jeering scorn for those who are striving to enlighten
him. “Say,” he asks, “do I look like I’d climbed down one of them
missing fire-escapes at Helicon Hall?” That is his way of saying that he
has no vision of a better world; it is O. Henry’s idea of being a
sociologist. (If you have any curiosity concerning Helicon Hall and its
fire-escapes, the story is in “The Brass Check.”)
The obscure and exploited masses of New York, the waitresses and
hat-pressers and soda-jerkers and bums and taxi drivers and policemen,
O. Henry’s Four Million, adopted him as their favorite writer, because
he knew their lives, he loved them, and they felt that love under the
cover of his laughter. And in truth it is a pleasant thing when you are
in trouble to find a heart which feels with you; but it is an even more
important thing to find a head which understands the causes of your
trouble and can help you to escape it. The Four Million will have to
look elsewhere than to O. Henry for that head.
Public-domain text, read in full here on John Shaqi.
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