Mammonart: An essay in economic interpretationSinclair, Upton
History
Mammonart: An essay in economic interpretation
Sinclair, Upton
Arts and society; Economics and literature; Literature -- History and criticism -- Theory, etc.
There was an essential fact about him which his official biographer
fails to mention; he was a true Southern gentleman in another
respect--that he drank too much. Al Jennings records that he was half
drunk when Jennings encountered him, sitting in front of the American
consulate in the little town of Trujillo, Honduras. They proceeded to
get all the way drunk, and to celebrate the Fourth of July by shooting
up the place. And there is much other drinking scattered through the
story. In the prison O. Henry was in charge of certain supplies, and he
found that contractors were robbing the prison, and he wanted to expose
them; but Jennings showed him that if he did so, he would get himself
thrown into the hole, and beaten to death by the prison powers who were
sharing in the graft. So our poor Southern gentleman kept silence, and
received large presents of wine and liquor. When he came to New York,
this habit had him in its grip, and never let him go.
So here is a point about the O. Henry stories; they are alcoholic
stories, and take the alcoholic attitude toward life. The friends of O.
Henry, who spent their time trying to save him, will understand what all
of us know who have had to do with Southern gentlemen of the old school:
that a victim of alcohol can weep with pity and can mingle laughter with
his tears; he can be charming and beautiful, gentle and kind; but one
thing he can rarely have, and that is a firm grasp of the realities
about him; another thing he can never by any possibility have, and that
is an attitude of persistent and unflinching resolve. Yet these are
exactly the qualities which the Four Million will have to develop before
they can escape from their slavery in Bagdad-of-the-Traction-Trust.
CHAPTER CVIII
SUPERMANHOOD
We come now to the first of the writers of our time who was born of the
working class, and carried his working-class consciousness into his
literary career. He was the true king of our story tellers, the
brightest star that flashed upon our skies. He brought us the greatest
endowment both of genius and of brain, and the story of what America did
to him is a painful one.
Jack London was born in San Francisco, in 1876, which made him two years
my senior. We took to exchanging our first books, and a controversy
started between us, which lasted the rest of his life; the last letter I
received from him was an invitation to come up to the ranch and continue
it. “You and I ought to have some ‘straight from the shoulder’ talk with
each other. It is coming to you, it may be coming to me. It may
illuminate one or the other or both of us.” I answered that I was
finishing a job of writing; but that as soon as the job was done I would
come and “stand the gaff.” And then I read that he was dead!
Public-domain text, read in full here on John Shaqi.
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